旋律模型与造型:音乐知识获取的基本体系

New Sound Pub Date : 1900-01-01 DOI:10.5937/newso22059011k
Gordana Karan
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引用次数: 0

摘要

在追求对音乐中的术语、现象、规则和意义的基本理解的过程中,对音乐作品的表演和解释至关重要,有必要将一种基于方法的系统应用于乐谱的阅读,这种系统有效地为理解音乐内容奠定了基础,并有助于更广泛地发展音乐能力和音乐性。在音乐教学过程中,作为更广泛的音乐学科(和声、对位法、音乐形式、音乐风格知识)的一部分,最关键的是工作的方法和系统,它允许对乐谱的阅读和对音乐作品的理解产生和轮廓。模型和造型系统是一种工作形式,涉及对在音乐模型上创作的音乐作品的感知和接受,以及与该模型合作的过程,即建模。系统的复杂性反映在建模的两个子元素上:通过回忆模型的声音来发展联想能力,以及获得对声音的自动反应。到目前为止,关于模型和建模的工作一直是用音乐教学的方法来处理的。在本研究中,它被定义为一个适用于阅读和解释音乐文本过程的系统,而不以音乐风格或音乐的调性基础为前提。
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Melodic models and modelling: The fundamental system of knowledge acquisition in music
In the pursuit of developing a fundamental understanding of terms, phenomena, rules and meanings in music, vital to the performance and interpretation of a musical work, it is necessary to apply a methodologically grounded system to the reading of a score that efficiently establishes a basis for understanding the musical content and contributes to the development of musical abilities and musicality more broadly. In the musical-pedagogical process, as part of the wider set of music disciplines (harmony, counterpoint, music forms, knowledge of music styles), the most crucial are the methods and systems of work which allow the reading of musical notation and the understanding of a musical piece to be generated and profiled. The system of models and modelling is a form of work about the perception and reception of a musical work composed on a musical model and the process of working with that model, i.e. modelling. The complexity of the system is reflected in the two sub-elements of modelling: the development of associative abilities by recalling the sound of the model, and gaining an automatic response to sound. Until now, work on models and modelling has been treated using a musical-pedagogical approach. In this study it is defined as a system which is applicable to the process of reading and interpreting a musical text, without being predicated on musical style or the tonal bases of music.
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