{"title":"观众的欲望和叙事的结束:里根18分钟的政治电影","authors":"Susan Mackey-Kallis","doi":"10.1080/10417949109372842","DOIUrl":null,"url":null,"abstract":"This essay investigates the various narrative “logics” in the 18‐minute film that preceded Ronald Reagan's acceptance speech at the 1984 Republican National Convention. A close‐reading unravels the narrative and meta‐narrative structures of the film activated through ceremony and history. Viewers are invited to view the film as the story of the Reagan presidency (a personal narrative) and the story of a Western/American hero (a cultural narrative). These stories create an emotional experience that invites the audience to participate as celebrants and “everyday” heroes betstowing their blessing upon Ronald Reagan's bid for the presidency.","PeriodicalId":212800,"journal":{"name":"Southern Journal of Communication","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1991-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"Spectator desire and narrative closure: The Reagan 18‐minute political film\",\"authors\":\"Susan Mackey-Kallis\",\"doi\":\"10.1080/10417949109372842\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay investigates the various narrative “logics” in the 18‐minute film that preceded Ronald Reagan's acceptance speech at the 1984 Republican National Convention. A close‐reading unravels the narrative and meta‐narrative structures of the film activated through ceremony and history. Viewers are invited to view the film as the story of the Reagan presidency (a personal narrative) and the story of a Western/American hero (a cultural narrative). These stories create an emotional experience that invites the audience to participate as celebrants and “everyday” heroes betstowing their blessing upon Ronald Reagan's bid for the presidency.\",\"PeriodicalId\":212800,\"journal\":{\"name\":\"Southern Journal of Communication\",\"volume\":\"16 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1991-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Journal of Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10417949109372842\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10417949109372842","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Spectator desire and narrative closure: The Reagan 18‐minute political film
This essay investigates the various narrative “logics” in the 18‐minute film that preceded Ronald Reagan's acceptance speech at the 1984 Republican National Convention. A close‐reading unravels the narrative and meta‐narrative structures of the film activated through ceremony and history. Viewers are invited to view the film as the story of the Reagan presidency (a personal narrative) and the story of a Western/American hero (a cultural narrative). These stories create an emotional experience that invites the audience to participate as celebrants and “everyday” heroes betstowing their blessing upon Ronald Reagan's bid for the presidency.