《Shobha De’s Sisters》中的女性气质

S. Bhandari
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引用次数: 1

摘要

本文旨在探讨莎哈·德的小说《姐妹》中的女性声音。主要女性角色Mikki和Alisha摒弃了男权社会规定的性别角色。在反抗奴役的过程中,她们意识到女性特质只是大男子主义的伪装。他们说,女性的全部和最终目的是实现女性的生理方面。他们的对话和行动表明,他们想要传播性和性别不同的教义。性是自然的和生物的,而社会性别是由社会和文化模式构建的。这部小说揭露了这种先天与后天的二分法。美琪毅然离开家,反抗丈夫的统治,决心倾听女性内心的声音。另一方面,阿丽莎认为一个人可以通过控制经济地位来获得权力。他们都联合起来走出了父权霸权的粪坑。在这一点上,她们成为了女性的革命天使。她们变成了新的女性。本文运用定性研究的范式,从女性主义的视角来探讨小说中女性气质和女性气质的所有这些动态。通过分析小说中的问题,提供了女性气质与女性气质之间的出发点。
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Femaleness in Shobha De’s Sisters
The objective of this article is to explore the female voice in Shobha De’s novel Sisters. The main female characters Mikki and Alisha discard the gender roles prescribed by the patriarchal society. In course of their struggle against the subjugation, they realize that the attributes of femininity are simply the trappings of male chauvinism. They speak that the be-all and end-all of a female is to realize the biological aspect of femaleness. Their dialogues and actions clarify that they want to disseminate the doctrines that sex and gender differ from each other. Sex is natural and biological while the gender is constructed by social and cultural patterns. The novel exposes this dichotomy between nature and nurture. Mikki readily leaves her home and rebels against the domination of her husband and determines to hear the inner voice of female. Alisha, on the other hand, believes that one can gain power by controlling the economic status. They both unite to come out of cesspool of patriarchal hegemony. In this regard, they become the revolutionary angels for the women. They become new women. The article exploits the paradigm of qualitative approach by using the perspective of feminism to explore all these dynamics of femininity and femaleness in the novel. It provides the points of departure between the femininity and femaleness by analyzing the issues in the novel.
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