{"title":"爵士与弗拉门戈的联系:1976年至1982年间,Chick Corea和Paco de Lucía","authors":"Juan Zagalaz","doi":"10.14713/JJS.V8I1.23","DOIUrl":null,"url":null,"abstract":"The close collaboration between Chick Corea and Paco de Lucia shows a clear example of the connection between jazz and flamenco. The release of Corea’s My Spanish Heart (1976), an explicit approach to the Latin and Spanish musical spheres, and the recordings of Paco de Lucia with jazz saxophonist Pedro Iturralde in the late 60’s led Paco and Chick to discover one another. This article offers an analytical perspective of the early years of this collaboration by reviewing Corea’s records My Spanish Heart and Touchstone (1982) , and De Lucia’s Paco de Lucia Interpreta a Manuel de Falla (1978) and Solo Quiero Caminar (1981), not only through the solos of the guitarist and pianist, but also through those played by the musicians who recorded and toured with both of them in the following years: Jorge Pardo and Carles Benavent.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2012-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The Jazz–Flamenco Connection: Chick Corea and Paco de Lucía Between 1976 and 1982\",\"authors\":\"Juan Zagalaz\",\"doi\":\"10.14713/JJS.V8I1.23\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The close collaboration between Chick Corea and Paco de Lucia shows a clear example of the connection between jazz and flamenco. The release of Corea’s My Spanish Heart (1976), an explicit approach to the Latin and Spanish musical spheres, and the recordings of Paco de Lucia with jazz saxophonist Pedro Iturralde in the late 60’s led Paco and Chick to discover one another. This article offers an analytical perspective of the early years of this collaboration by reviewing Corea’s records My Spanish Heart and Touchstone (1982) , and De Lucia’s Paco de Lucia Interpreta a Manuel de Falla (1978) and Solo Quiero Caminar (1981), not only through the solos of the guitarist and pianist, but also through those played by the musicians who recorded and toured with both of them in the following years: Jorge Pardo and Carles Benavent.\",\"PeriodicalId\":331183,\"journal\":{\"name\":\"Journal of Jazz Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-07-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Jazz Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14713/JJS.V8I1.23\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Jazz Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14713/JJS.V8I1.23","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3
摘要
Chick Corea和Paco de Lucia之间的密切合作是爵士乐和弗拉门戈之间联系的一个清楚的例子。1976年发行的《我的西班牙之心》(My Spanish Heart, 1976),是对拉丁和西班牙音乐领域的明确探索,60年代末与爵士萨克斯演奏家佩德罗·伊图拉尔德(Pedro Iturralde)合作的《Paco de Lucia》唱片,使Paco和Chick发现了彼此。本文通过回顾Corea的唱片《My Spanish Heart》和《Touchstone》(1982),以及De Lucia的《Paco De Lucia Interpreta a Manuel De Falla》(1978)和《Solo Quiero Caminar》(1981),不仅通过吉他手和钢琴家的独奏,还通过在接下来的几年里与他们两人一起录制和巡演的音乐家:Jorge Pardo和Carles Benavent的演奏,从一个分析的角度来分析他们合作的早期。
The Jazz–Flamenco Connection: Chick Corea and Paco de Lucía Between 1976 and 1982
The close collaboration between Chick Corea and Paco de Lucia shows a clear example of the connection between jazz and flamenco. The release of Corea’s My Spanish Heart (1976), an explicit approach to the Latin and Spanish musical spheres, and the recordings of Paco de Lucia with jazz saxophonist Pedro Iturralde in the late 60’s led Paco and Chick to discover one another. This article offers an analytical perspective of the early years of this collaboration by reviewing Corea’s records My Spanish Heart and Touchstone (1982) , and De Lucia’s Paco de Lucia Interpreta a Manuel de Falla (1978) and Solo Quiero Caminar (1981), not only through the solos of the guitarist and pianist, but also through those played by the musicians who recorded and toured with both of them in the following years: Jorge Pardo and Carles Benavent.