罗伯托Bolaño《护身符》中的历史元虚构与形而上学侦探

R. Tyers
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引用次数: 1

摘要

罗伯托Bolaño的《护身符》探讨了历史写作,试图从众多不可靠和相互冲突的来源中构建一种叙事。因此,任何史学的尝试也会被文学中的再现问题所困扰。更具体地说,与侦探小说不同,历史关注的是确定其参与者的灵感和行为,并利用历史信息揭示一个或一系列事件的真相,所有这些信息可能可靠,也可能不可靠。通过研究《护身符》中历史和虚构之间的关系,本文将讨论Bolaño对玄学侦探小说的比喻的使用,以及它们如何通过在小说中重新发明历史事实来帮助突出历史事实所带来的困难。反过来,这将突出侦探小说和历史元小说之间的交集,以及如何通过结合这两种类型的作家重新想象历史背景,找到新的意义和意义。
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Historiographic Metafiction and the Metaphysical Detective in Roberto Bolaño’s Amulet
Roberto Bolaño’s Amulet explores the writing of history as an attempt to construct a narrative from a multitude of unreliable and conflicting sources. As a result, any attempt at historiography is also plagued by the problems of representation found in literature. More particularly, not unlike detective fiction, history is concerned with identifying the inspirations and actions of its players and with revealing the truth about an episode or series of episodes, using historical information, all of which may or may not be reliable. By examining the relationship between the historical and the fictional in Amulet this paper will discuss Bolaño’s use of the tropes of metaphysical detective fiction and how they help foreground the difficulties posed by historical facts by reinventing them in fiction. This will, in turn, highlight the intersection between detective fiction and historiographic metafiction and how by combining these two genres writers can reimagine historical contexts and find new meanings and significance.
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