Kosmētai三世纪雅典的肖像画。改写,风格,语境和赞助

M. Prusac
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引用次数: 1

摘要

1861年,雅典罗马集市在瓦勒里安墙的填塞物中发现了30人(kosmētai)雅典公共哲学教师的肖像。从希腊化时期开始,kosmētai教授亚里士多德的哲学,尽管随着时间的推移,教学变得更加多样化。在公元一世纪,学生人数达到了每年300人的高峰。在公元三世纪,当这些画像被埋在瓦勒里安墙时,学生的数量减少了,就像其他教育机构一样。kosmētai的活动大约在公元280年缬草墙建成后结束。瓦勒里安城墙的年代是根据在建筑废墟中发现的刻有皇帝普罗布斯(公元276-282年)肖像的硬币确定的。我们从书面资料中对kosmētai的了解引出了几个问题,比如为什么kosmētai的肖像被用作建筑材料,而当时的主人公的身份仍然可以被记住。为什么有些肖像在被挂在墙上之前会被重新切割成其他人的肖像呢?kosmētai的一些肖像是在几十年的时间里重新制作和丢弃的。本文讨论了kosmētai的肖像及其在罗马雅典的意义,并探讨了与它们的处置有关的问题,以及背景,风格,车间和赞助。
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The Kosmētai Portraits in Third Century Athens. Recutting, Style, Context and Patronage
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the fill in the Valerian Wall by the Roman Agora in Athens in 1861. From the Hellenistic period onwards, the kosmētai had taught the philosophy or Aristotle, though, with time, the teaching became more varied. In the first century AD, the number of students had a peak of three hundred a year. In the third century, when the portraits were buried in the Valerian Wall, the number of students had decreased, much as it had in other pedagogic institutions. The activity of the kosmētai ended about AD 280 when the Valerian Wall was built. The dating of the Valerian Wall is based on coins with the portrait of emperor Probus (AD 276-282), which have been found among the building debris. What we know about the kosmētai from the written sources leads to several questions, such as why the kosmētai portraits were used as building material at a time when the identity of the sitters could sill be remembered. Why were some of the portraits recut into those of other individuals shortly before they were put into the wall? Some of the kosmētai portraits were produced recut and discarded during the span of a few decades. This paper discusses the portraits of the kosmētai and their significance in Roman Athens and explores questions related to the disposal of them, as well as to context, style, workshop, and patronage.
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