伊凡·贡恰罗夫与他那个时代的科学哲学(科学与宗教刊)

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引用次数: 1

摘要

在科学技术快速发展时期,在俄罗斯古典文学的主要代表人物中,只有亚历山大·赫尔岑和伊万·贡恰罗夫对科学哲学有着深刻而实质性的兴趣。对于《悬崖》的作者来说,这种兴趣与他作品中主要问题集中的主要问题有关:即科学思维与传统信仰的兼容性问题。这部作品主要考察了主题的一个方面:作者对自然科学的兴趣,尤其是对天文学的兴趣。达尔文的学说认为人类是从猿类进化而来,而天文学上的发现激发了人们对其他星球上存在生命的思考,这些都在大众意识中引起了对既定宗教世界观的怀疑。早在19世纪60年代宗教意识危机爆发之前,贡恰罗夫就明确了他对这些变化的态度。作为一个保守而笃信宗教的人,他严肃地对待科学进步,没有将其与宗教对立,而是将其视为上帝对人类天意的工具。19世纪俄罗斯社会的宗教意识危机是冈查洛夫艺术研究的主要主题,他将《共同的故事》、《奥布洛莫夫》和《悬崖》连成三部曲。
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Ivan Goncharov and the Philosophy of Science of His Time (Issue of Science and Religion)
During the period of rapid development of science and technology among the main representatives of Russian classical literature, only Alexander Herzen and Ivan Goncharov experienced a deep and substantive interest in the philosophy of science. For the author of “The Precipice,” this interest was associated with the main issue around which the dominant problematics of his work is concentrated: this is the question of the compatibility of scientific thinking and traditional faith. This work examines mainly one aspect of the topic: the writer's interest in natural science and, above all, in astronomy. Darwinism, with its thesis on the origin of man from ape, and astronomical discoveries that activated thoughts about life on other planets, gave rise to doubts in the mass consciousness about the established religious picture of the world. Goncharov defined his attitude to these changes long before the outbreak of the crisis of religious consciousness in the 1860s. As a conservative and deeply religious person, he took scientific progress seriously, not opposing it to religion and considering it an instrument of God's Providence for humanity. The crisis of religious consciousness in Russian society of the 19th century is regarded as the main subject of Goncharov's artistic research, which binds “A Common Story,” “Oblomov” and “The Precipice” into a trilogy.
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