探索灯泡背后的思想(字面和比喻)

L. Gabora
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引用次数: 2

摘要

在消除了BVSR的进化支架之后,剩下的是一个“盲目”的概念,它不能将BVSR与其他创造力理论区分开来,并且假设创造力可以通过将想法视为离散的,可数的实体来理解,而不是将单一的内部概念的不同外部表现形式逐渐固化。由于脱离达尔文理论,BVSR缺乏一个可以用来产生假设并对其进行检验的科学框架。代替这样一个框架,假设似乎是在先前数据的基础上产生的——它们不是理论驱动的。本文没有解释BVSR如何推导出参与“企业网络”提高创造力的假设;这一假设与有关创造力的其他概念更为一致。创造力涉及回溯的概念将关于外部输出的回溯证据与发明概念的回溯证据混为一谈。前者并不意味着后者;创造者可以搁置一个创造性的输出,但不能回到他/她在产生该输出之前的任务概念。认为创造力是多余的概念(即许多想法“毫无用处”)是错误的;有用性依赖于上下文,此外,一个想法的有用性可能存在于它是后续想法的关键垫脚石。
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Probing the Mind Behind the (Literal and Figurative) Lightbulb
After doing away with the evolutionary scaffold for BVSR, what remains is a notion of "blindness" that does not distinguish BVSR from other theories of creativity, and an assumption that creativity can be understood by treating ideas as discrete, countable entities, as opposed to different external manifestations of a singular gradually solidifying internal conception. Uprooted from Darwinian theory, BVSR lacks a scientific framework that can be called upon to generate hypotheses and test them. In lieu of such a framework, hypotheses appear to be generated on the basis of previous data--they are not theory-driven. The paper does not explain how the hypothesis that creativity is enhanced by engagement in a "network of enterprises" is derived from BVSR; this hypothesis is more compatible with competing conceptions of creativity. The notion that creativity involves backtracking conflates evidence for backtracking with respect to the external output with evidence for backtracking of the conception of the invention. The first does not imply the second; a creator can set aside a creative output but cannot go back to the conception of the task he/she had prior to generating that output. The notion that creativity entails superfluity (i.e., many ideas have "zero usefulness") is misguided; usefulness is context-dependent, moreover, the usefulness of an idea may reside in its being a critical stepping-stone to a subsequent idea.
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