电影《龙龙》中棕榈油农民的现实结构:半声学分析查尔斯·S·佩尔斯

Mochamad Husni, Algooth Putranto
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摘要

国家棕榈油产业日益受到政府的重视。在人们对大公司的主导地位和小农油棕种植园的弱势形象的看法中,因食用油短缺引发的示威活动展示了印尼油棕种植者的身影。本研究旨在探讨媒体如何建构油棕农民的现实。所使用的理论是Peter L. Berger和Thomas Luckmann的现实的社会建构。而描述性定性研究方法则采用查尔斯·桑德斯·皮尔斯的符号学分析方法。数据分析技术采用非参与者观察和二手文献。对以Nagabonar为主角的《那迦那迦》电影的研究结果得出结论:有一个部分是对油棕农民的解释。通过意义三角法,油棕农民虽然没有受过正规教育,但却被塑造成经济富裕、民族主义程度高、思想聪明的人群。这项研究也是对社区中发生的现实的反思。
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Konstruksi Realitas Petani Kelapa Sawit Dalam Film Naga Naga Naga: Analisis Semiotika Charles S. Peirce
The national palm oil industry is increasingly becoming the government's attention. In the midst of opinions about the dominance of big companies and the weak image of smallholder oil palm plantations, demonstrations triggered by the scarcity of cooking oil show the figure of Indonesian oil palm farmers. This study wants to explore how the media constructs the reality of oil palm farmers. The theory used is the social constructions of reality Peter L. Berger and Thomas Luckmann. While the descriptive qualitative research approach uses the semiotic analysis method of Charles Sanders Peirce. The data analysis technique used non-participant observation and secondary documents. The results of the research on the Naga Naga Naga film with the main character Nagabonar concluded that there is a semion with an interpretation of oil palm farmers. With the triangle of meaning method, oil palm farmers are constructed as people who are economically prosperous, have high nationalism, and have intelligent thoughts even though they are not formally educated. This study is also a reflection on the reality that occurs in the community.
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