强大的主体:19世纪古巴奴隶主的口是心非

M. Barcia
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For O'Gavan and his colleagues, begging for the reestablishment of the trade came hand-in-hand with a series of excuses and justifications that concealed the real conditions of existence of their slaves in Cuba's urban and rural environments.This article explores the ways in which Cuban-based merchants and planters attempted to keep a robust control upon their increasingly large slave population, while endeavouring to show to the rest of the world an idyllic picture of Cuban slavery. O'Gavan's pamphleteering in Madrid in the early 1820s was hardly an exception. As a matter of fact, from the late 1790s, Cuban authorities, merchants and planters joined forces in a vain effort to portray Cuban slavery as a harmless and paternalistic institution, exempt from the brutalities that they shrewdly attributed to other slave systems in the Americas.On the one hand, Cuban authorities, merchants and planters offered a public transcript full of praise for the slave society they were building and continuously drummed it up as a humane and well-balanced social system. On the other hand, they relied on a day-to-day hidden transcript that they used and abused to blame their slaves, especially those African-born, for all the flaws they could find in the system.1 This article will also explore the ways in which they built up these public and hidden transcripts and the manner in which their public and private discourses overlapped when necessary, and establish to what degree they were successful in doing so. It will argue that in order to prevail, while hiding the daily acts of inhumanity inherent to the slave system, they used their most gifted intellectuals and their religious and political leverage in order to maintain slavery in Cuba and to increase the transatlantic slave trade.To gain a better understanding of the daily practices of these men, this article relies on the concepts of 'Public' and 'Hidden Transcript', as defined by James C. Scott in his groundbreaking book Domination and the Arts of Resistance: Hidden Transcripts (1990). By 'Public Transcript', it refers to all practices and discourses elaborated by the Cuban-based elites in order to portray to the rest of the world, an idyllic picture of slavery in Cuba. By opposition, this article considers as a 'Hidden Transcript', those other practices and discourses that took place in private spaces and beyond the public realm. It was in these private spaces where the real character of Cuban slavery was more often than not revealed and discussed.'Civilising' africa and the africansO'Gavan's argument in 1821 was bold and reflected widespread fears of a slave revolt in the island. More to the point, his words also revealed the anxieties felt in Cuba by slave traders and planters, who considered British interventionism as one of the worst evils they faced. Since the British had repeatedly made a point by reporting and highlighting the cruelties of the transatlantic slave trade, even before they had abolished it themselves in 1807, these traders and planters rushed to counter-argue these remarks. 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For O'Gavan and his colleagues, begging for the reestablishment of the trade came hand-in-hand with a series of excuses and justifications that concealed the real conditions of existence of their slaves in Cuba's urban and rural environments.This article explores the ways in which Cuban-based merchants and planters attempted to keep a robust control upon their increasingly large slave population, while endeavouring to show to the rest of the world an idyllic picture of Cuban slavery. O'Gavan's pamphleteering in Madrid in the early 1820s was hardly an exception. 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It will argue that in order to prevail, while hiding the daily acts of inhumanity inherent to the slave system, they used their most gifted intellectuals and their religious and political leverage in order to maintain slavery in Cuba and to increase the transatlantic slave trade.To gain a better understanding of the daily practices of these men, this article relies on the concepts of 'Public' and 'Hidden Transcript', as defined by James C. Scott in his groundbreaking book Domination and the Arts of Resistance: Hidden Transcripts (1990). By 'Public Transcript', it refers to all practices and discourses elaborated by the Cuban-based elites in order to portray to the rest of the world, an idyllic picture of slavery in Cuba. By opposition, this article considers as a 'Hidden Transcript', those other practices and discourses that took place in private spaces and beyond the public realm. 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引用次数: 1

摘要

1820年,古巴牧师胡安·贝尔纳多·奥加万(Juan Bernardo O’gavan)带着破坏1817年英国和西班牙签署的双边条约的试验任务抵达马德里,该条约要求后者停止参与跨大西洋奴隶贸易。对于O'Gavan和他的雇主来说,这种人口贩卖的结束是一种彻头彻尾的烦恼,它威胁到这个岛国以甘蔗为基础的繁荣,因为海地革命给了他们成为国际市场上主要食糖供应商的机会。然而,由于从非洲进口的奴隶劳工,这些糖只能收获并以天文数字的利润出售。对于O'Gavan和他的同事们来说,乞求重新建立奴隶贸易的同时,还伴随着一系列的借口和理由,这些借口和理由掩盖了他们的奴隶在古巴城市和农村环境中的真实生存状况。这篇文章探讨了古巴商人和种植园主如何试图对他们日益庞大的奴隶人口保持强有力的控制,同时努力向世界其他地方展示古巴奴隶制的田园诗般的画面。19世纪20年代初,奥加万在马德里撰写的小册子也不例外。事实上,从18世纪90年代末开始,古巴当局、商人和种植园主联手,徒劳地将古巴奴隶制描绘成一种无害的家长式制度,不像他们精明地将其归咎于美洲其他奴隶制度那样残酷。一方面,古巴当局、商人和种植园主提供了一份公开的记录,对他们正在建立的奴隶社会赞不绝口,并不断将其鼓吹为一种人道和平衡良好的社会制度。另一方面,他们依赖于一份日常的隐藏记录,他们利用并滥用这份记录来指责他们的奴隶,尤其是那些在非洲出生的奴隶,因为他们能找到制度中的所有缺陷本文还将探讨他们建立这些公开和隐藏的文本的方式,以及他们在必要时公共和私人话语重叠的方式,并确定他们在多大程度上成功地做到了这一点。它将争辩说,为了取得胜利,他们在隐藏奴隶制度所固有的日常不人道行为的同时,利用他们最有天赋的知识分子以及他们的宗教和政治杠杆,在古巴维持奴隶制,并增加跨大西洋奴隶贸易。为了更好地理解这些人的日常行为,本文依赖于詹姆斯·c·斯科特在其开创性著作《统治与抵抗艺术:隐藏的记录》(1990)中定义的“公开”和“隐藏的记录”概念。所谓“公开记录”,指的是古巴精英们为了向世界描绘古巴奴隶制的田园诗般的画面而精心制作的所有做法和话语。通过反对,本文认为那些发生在私人空间和公共领域之外的其他实践和话语是“隐藏的成绩单”。正是在这些私人空间里,古巴奴隶制的真实性质往往被揭露和讨论。“文明”非洲和非洲人加万在1821年的观点是大胆的,反映了人们对岛上奴隶起义的普遍恐惧。更重要的是,他的话还揭示了古巴奴隶贩子和种植园主的焦虑,他们认为英国的干预主义是他们面临的最严重的罪恶之一。由于英国人在1807年自己废除奴隶贸易之前,就曾多次通过报道和强调跨大西洋奴隶贸易的残酷来表明自己的观点,这些贸易商和种植园主们争相反驳这些言论。他们这样做并不是把重点放在奴隶贸易上,这在当时实际上已经站不住脚了,而是通过强调他们的奴隶制度的积极方面,特别是对他们声称要引入文明世界的“野蛮”非洲人。…
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Powerful Subjects: The Duplicity of Slave Owners in Nineteenth-Century Cuba
In 1820, Cuban priest Juan Bernardo O'Gavan arrived in Madrid with the testing mission of sabotaging the bilateral treaty signed in 1817 between Great Britain and Spain that obliged the latter to bring its involvement in the transatlantic slave trade to an end. For O'Gavan and his employers, the end of this human trafficking was a downright annoyance that threatened the sugar cane-based prosperity enjoyed by the island since the Haitian revolution had given them the opportunity to become leading suppliers of sugar for the international markets. That sugar, however, could only be harvested and sold at astronomical profits thanks to the slave labour imported from Africa. For O'Gavan and his colleagues, begging for the reestablishment of the trade came hand-in-hand with a series of excuses and justifications that concealed the real conditions of existence of their slaves in Cuba's urban and rural environments.This article explores the ways in which Cuban-based merchants and planters attempted to keep a robust control upon their increasingly large slave population, while endeavouring to show to the rest of the world an idyllic picture of Cuban slavery. O'Gavan's pamphleteering in Madrid in the early 1820s was hardly an exception. As a matter of fact, from the late 1790s, Cuban authorities, merchants and planters joined forces in a vain effort to portray Cuban slavery as a harmless and paternalistic institution, exempt from the brutalities that they shrewdly attributed to other slave systems in the Americas.On the one hand, Cuban authorities, merchants and planters offered a public transcript full of praise for the slave society they were building and continuously drummed it up as a humane and well-balanced social system. On the other hand, they relied on a day-to-day hidden transcript that they used and abused to blame their slaves, especially those African-born, for all the flaws they could find in the system.1 This article will also explore the ways in which they built up these public and hidden transcripts and the manner in which their public and private discourses overlapped when necessary, and establish to what degree they were successful in doing so. It will argue that in order to prevail, while hiding the daily acts of inhumanity inherent to the slave system, they used their most gifted intellectuals and their religious and political leverage in order to maintain slavery in Cuba and to increase the transatlantic slave trade.To gain a better understanding of the daily practices of these men, this article relies on the concepts of 'Public' and 'Hidden Transcript', as defined by James C. Scott in his groundbreaking book Domination and the Arts of Resistance: Hidden Transcripts (1990). By 'Public Transcript', it refers to all practices and discourses elaborated by the Cuban-based elites in order to portray to the rest of the world, an idyllic picture of slavery in Cuba. By opposition, this article considers as a 'Hidden Transcript', those other practices and discourses that took place in private spaces and beyond the public realm. It was in these private spaces where the real character of Cuban slavery was more often than not revealed and discussed.'Civilising' africa and the africansO'Gavan's argument in 1821 was bold and reflected widespread fears of a slave revolt in the island. More to the point, his words also revealed the anxieties felt in Cuba by slave traders and planters, who considered British interventionism as one of the worst evils they faced. Since the British had repeatedly made a point by reporting and highlighting the cruelties of the transatlantic slave trade, even before they had abolished it themselves in 1807, these traders and planters rushed to counter-argue these remarks. They did so not by focusing on the slave trade, which was already practically indefensible at the time, but by highlighting the positives of their slave system, especially for the 'savage' Africans they claimed to be introducing to the civilised world. …
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