普尔纳·曼·奇特拉卡尔(公元1864 - 1939年):一位最不知名的先驱

M. Chitrakar
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引用次数: 1

摘要

艺术史爱好者之间经常争论的话题通常是关于何时以及谁首次在尼泊尔使用油画作为绘画媒介并引入摄影。在许多场合,功劳都归功于一个传奇的名字——Bhaju Man Chitrakar或Bhaju-macha。但现在看来,这些叙述更多地是基于流行的传闻,而不是对他全部作品的实际研究或对当时情况的可靠分析。本文试图分析当时从19世纪80年代末到20世纪30年代末的杰出艺术家的角色。人们发现,一位不太知名的艺术家普尔纳·曼·奇拉卡尔(Purna Man Chitrakar)所扮演的角色似乎更可信——他以油画和摄影作品无可辩驳地引领了一个被称为“前现代”的新时代。此外,他对许多年轻艺术家的指导后来被证明是重要的——在后来尼泊尔艺术的发展中创造了不同的新流。
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Purna Man Chitrakar (1864 - 1939 AD): A Pioneer - Least Celebrated
A frequent debate or an issue favorite amongst the art-history buffs is usually found around when and who first used oil paints as a medium of painting and introduced photography in Nepal. On many occasions, the credits were attributed to a legendary name – Bhaju Man Chitrakar or Bhaju-macha. But it appears now many of those narratives were made more based on the popular hearsays rather than actual study of his oeuvre of works or a credible analysis of the circumstances then. The essay here seeks to analyze the roles of the prominent artists then – spanning late 80s of the 19th century to the late 30s of the 20th century. It is found the role played by a least celebrated artist Purna Man Chitrakar, seemed more credible – in ushering a new era, described as ‘Pre-modern’, with the irrefutable accounts of his workings in oil colors and photography. Moreover, his mentorship of many of the junior artists later proved momentous – leading to create different new streams in the evolution of Nepali Art – later.  
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