一部女权主义电影

Advances in Media, Entertainment, and the Arts Pub Date : 1900-01-01 DOI:10.4018/978-1-7998-0128-3.CH017

İkbal Bozkurt Avcı, Derya Çetin

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引用次数: 1

摘要

女性主义电影理论通过主题定位、叙事封闭和拜物教等概念来评价电影。这一理论表明，流行电影的宣泄是为男性观众服务的。然而，也有许多以女性为中心的女权主义电影，这些电影游离于主流电影之外，吸引了相当多的观众。本研究旨在用女性主义电影理论的概念来评价《焦糖》(Nadine Labaki, 2007)。影片通过这五个女人来表达一个被禁忌统治的国家。

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A Feminist Film

Feminist film theory evaluates films by some concepts such as subject positions, narrative closures, and fetishism. This theory suggests that the catharsis of popular films is in the service of the male audience. However, many feminist films centered on women are also made, which are outside the mainstream cinema and reach a considerable amount of viewers. This study aims to evaluate Caramel (Nadine Labaki, 2007) by the concepts of feminist film theory. The film expresses a country dominated by taboos through these five women.

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Advances in Media, Entertainment, and the Arts

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