{"title":"重拾过去:在《血的花瓣》中恢复个人和公共的历史","authors":"Simona Klimková","doi":"10.1515/pjes-2018-0007","DOIUrl":null,"url":null,"abstract":"Abstract The implications of the colonialist discourse, which suggested that the colonized is a person “whose historical, physical, and metaphysical geography begins with European memory” (Thiong’o, 2009), urged postcolonial writers to correct these views by addressing the issues from their own perspectives. The themes of history and communal/national past thus play a prominent role in postcolonial literature as they are inevitably interwoven with the concept of communal identity. In Petals of Blood (1977), the Kenyan writer Ngũgĩ wa Thiong’o explores the implications of social change as brought about by the political and economic development during the post-independence period. This paper seeks to examine the crucial relation between personal and communal/national history and relate it to the writer’s views of principal legacies of colonialism. As Thiong’o states: “My interest in the past is because of the present and there is no way to discuss the future or present separate from the past” (Thiong’o, 1975). Clearly, the grasping of the past and one’s identification with it seems fundamental in discussing national development. As Ngũgĩ wa Thiong’o’s narratives are always situated in the realm of political and historical context, blending fiction with fact, this paper also aims to elaborate on the implications of his vision.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"64 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Reclaiming the Past: Restoration of Personal and Communal History in Petals of Blood\",\"authors\":\"Simona Klimková\",\"doi\":\"10.1515/pjes-2018-0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The implications of the colonialist discourse, which suggested that the colonized is a person “whose historical, physical, and metaphysical geography begins with European memory” (Thiong’o, 2009), urged postcolonial writers to correct these views by addressing the issues from their own perspectives. The themes of history and communal/national past thus play a prominent role in postcolonial literature as they are inevitably interwoven with the concept of communal identity. In Petals of Blood (1977), the Kenyan writer Ngũgĩ wa Thiong’o explores the implications of social change as brought about by the political and economic development during the post-independence period. This paper seeks to examine the crucial relation between personal and communal/national history and relate it to the writer’s views of principal legacies of colonialism. As Thiong’o states: “My interest in the past is because of the present and there is no way to discuss the future or present separate from the past” (Thiong’o, 1975). Clearly, the grasping of the past and one’s identification with it seems fundamental in discussing national development. As Ngũgĩ wa Thiong’o’s narratives are always situated in the realm of political and historical context, blending fiction with fact, this paper also aims to elaborate on the implications of his vision.\",\"PeriodicalId\":402791,\"journal\":{\"name\":\"Prague Journal of English Studies\",\"volume\":\"64 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Prague Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/pjes-2018-0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Prague Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/pjes-2018-0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
殖民主义话语暗示被殖民者是一个“其历史、生理和形而上学地理始于欧洲记忆”的人(Thiong’o, 2009),其含义敦促后殖民作家通过从自己的角度解决问题来纠正这些观点。因此,历史和公共/民族过去的主题在后殖民文学中扮演着重要角色,因为它们不可避免地与公共身份的概念交织在一起。在《血的花瓣》(1977)中,肯尼亚作家Ngũgĩ wa Thiong 'o探讨了独立后时期政治和经济发展所带来的社会变化的含义。本文试图研究个人和社区/国家历史之间的关键关系,并将其与作者对殖民主义主要遗产的看法联系起来。正如Thiong 'o所说:“我对过去感兴趣是因为现在,没有办法与过去分开讨论未来或现在”(Thiong 'o, 1975)。显然,在讨论国家发展时,对过去的把握和对过去的认同似乎是至关重要的。由于Ngũgĩ wa Thiong 'o的叙事总是处于政治和历史语境的领域,将虚构与事实相结合,本文也旨在阐述他的愿景的含义。
Reclaiming the Past: Restoration of Personal and Communal History in Petals of Blood
Abstract The implications of the colonialist discourse, which suggested that the colonized is a person “whose historical, physical, and metaphysical geography begins with European memory” (Thiong’o, 2009), urged postcolonial writers to correct these views by addressing the issues from their own perspectives. The themes of history and communal/national past thus play a prominent role in postcolonial literature as they are inevitably interwoven with the concept of communal identity. In Petals of Blood (1977), the Kenyan writer Ngũgĩ wa Thiong’o explores the implications of social change as brought about by the political and economic development during the post-independence period. This paper seeks to examine the crucial relation between personal and communal/national history and relate it to the writer’s views of principal legacies of colonialism. As Thiong’o states: “My interest in the past is because of the present and there is no way to discuss the future or present separate from the past” (Thiong’o, 1975). Clearly, the grasping of the past and one’s identification with it seems fundamental in discussing national development. As Ngũgĩ wa Thiong’o’s narratives are always situated in the realm of political and historical context, blending fiction with fact, this paper also aims to elaborate on the implications of his vision.