校园抗议与作文教学法:大卫·休斯顿在霍华德大学的激进修辞

Jimisha I Relerford
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摘要

摘要:本文通过对20世纪初新黑人运动时期霍华德大学英语教授大卫·休斯顿的教育学研究进行探讨,为修辞学和写作研究在历史悠久的黑人大学(HBCUs)修辞学教育的本土化制度微观史的发展做出贡献。我研究了休斯顿1919年的文章《英语教学的重建》,将其所揭示的教学重点置于作者参与霍华德大学校园激进主义的背景下,正如他1920年的文章《黑人学院的弱点》所反映的那样。根据Susan Kates的激进修辞学概念,我展示了休斯顿的作品如何体现了一种体现教学法,这种教学法直接回应了霍华德大学独特的制度、历史和社会位置。在他的学术研究中,休斯顿制定了一项英语教学计划,旨在提高作文训练的作用,鼓励跨学科的教学模式,并使英语教学专业化。休斯顿的计划揭示了一种混合的写作教学法,结合了职业教育和“黑人教育”的古典文科模式,直接回应了黑人大学生的需求。
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Campus Protest and Composition Pedagogy: G. David Houston's Activist Rhetoric at Howard University
ABSTRACT:This article contributes to rhetoric and composition scholarship that develops localized institutional microhistories of rhetorical education at historically Black colleges and universities (HBCUs) by exploring the pedagogically focused scholarship of G. David Houston, a Howard University professor of English during the period of the of the early twentieth century known as the New Negro Movement. I examine Houston's 1919 article "Reconstruction in the Teaching of English," placing the pedagogical priorities that it reveals within the context of the author's participation in on-campus activism at Howard, as reflected in his 1920 article "Weaknesses of the Negro College." Drawing on Susan Kates's concept of activist rhetorics, I demonstrate the ways in which Houston's work exemplifies an embodied pedagogy that responds directly to Howard University's unique institutional, historical, and social location. In his scholarship, Houston developed a plan for English instruction that sought to elevate the role of composition training, encourage a cross-disciplinary pedagogical model, and professionalize the teaching of English. Houston's plan reveals a kind of hybrid composition pedagogy that incorporates aspects of both the vocational and classical-liberal arts models of "Negro education" and responds directly to the needs of Black college students.
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