{"title":"斯洛文尼亚的民间流行音乐作为一种文化遗产和流行文化之间的地方和民族制作策略","authors":"Jasmina Šepetavc, Natalija Majsova","doi":"10.1080/1743873x.2023.2256897","DOIUrl":null,"url":null,"abstract":"Cultural heritage tourism partly depends on authorized heritage definitions, and partly on complex bottom-up processes of heritage identification, interpretation, and communication. This paper addresses the ways in which music, when understood as intangible heritage, may be used for place making and nation branding purposes, and the dynamic between these two processes, as seen from the perspective of cultural and heritage tourism workers. To analyze this dynamic, we focus on the genre of Slovenian folk-pop music. Invented in the 1950s, it has since then become the prevalent (popular) musical element of the Slovenian cultural landscape, while its variants have also, and in parallel to ‘national’ characterization of the genre, been appropriated in various local contexts. We trace how Slovenian folk pop simultaneously partakes in the construction of the country’s national brand and in local place making strategies of heritage promotion, deployed by national, regional, and local stakeholders. We draw on an extensive literature review, document analysis, and interviews with folk-pop festival organizers. Based on this initial mapping of the major stakeholders, we propose a classification of folk-pop music festivals that accounts for the different ways in which folk pop is used as an instrument of heritage tourism, place making, nation branding, and entertainment industries.","PeriodicalId":47192,"journal":{"name":"Journal of Heritage Tourism","volume":"56 1","pages":"0"},"PeriodicalIF":3.0000,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Slovenian folk-pop music as a place and nation making strategy between heritage and popular culture\",\"authors\":\"Jasmina Šepetavc, Natalija Majsova\",\"doi\":\"10.1080/1743873x.2023.2256897\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Cultural heritage tourism partly depends on authorized heritage definitions, and partly on complex bottom-up processes of heritage identification, interpretation, and communication. This paper addresses the ways in which music, when understood as intangible heritage, may be used for place making and nation branding purposes, and the dynamic between these two processes, as seen from the perspective of cultural and heritage tourism workers. To analyze this dynamic, we focus on the genre of Slovenian folk-pop music. Invented in the 1950s, it has since then become the prevalent (popular) musical element of the Slovenian cultural landscape, while its variants have also, and in parallel to ‘national’ characterization of the genre, been appropriated in various local contexts. We trace how Slovenian folk pop simultaneously partakes in the construction of the country’s national brand and in local place making strategies of heritage promotion, deployed by national, regional, and local stakeholders. We draw on an extensive literature review, document analysis, and interviews with folk-pop festival organizers. Based on this initial mapping of the major stakeholders, we propose a classification of folk-pop music festivals that accounts for the different ways in which folk pop is used as an instrument of heritage tourism, place making, nation branding, and entertainment industries.\",\"PeriodicalId\":47192,\"journal\":{\"name\":\"Journal of Heritage Tourism\",\"volume\":\"56 1\",\"pages\":\"0\"},\"PeriodicalIF\":3.0000,\"publicationDate\":\"2023-09-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Heritage Tourism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1743873x.2023.2256897\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HOSPITALITY, LEISURE, SPORT & TOURISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Heritage Tourism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1743873x.2023.2256897","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
Slovenian folk-pop music as a place and nation making strategy between heritage and popular culture
Cultural heritage tourism partly depends on authorized heritage definitions, and partly on complex bottom-up processes of heritage identification, interpretation, and communication. This paper addresses the ways in which music, when understood as intangible heritage, may be used for place making and nation branding purposes, and the dynamic between these two processes, as seen from the perspective of cultural and heritage tourism workers. To analyze this dynamic, we focus on the genre of Slovenian folk-pop music. Invented in the 1950s, it has since then become the prevalent (popular) musical element of the Slovenian cultural landscape, while its variants have also, and in parallel to ‘national’ characterization of the genre, been appropriated in various local contexts. We trace how Slovenian folk pop simultaneously partakes in the construction of the country’s national brand and in local place making strategies of heritage promotion, deployed by national, regional, and local stakeholders. We draw on an extensive literature review, document analysis, and interviews with folk-pop festival organizers. Based on this initial mapping of the major stakeholders, we propose a classification of folk-pop music festivals that accounts for the different ways in which folk pop is used as an instrument of heritage tourism, place making, nation branding, and entertainment industries.
期刊介绍:
The Journal of Heritage Tourism ( JHT ) is a peer-reviewed, international transdisciplinary journal. JHT focuses on exploring the many facets of one of the most notable and widespread types of tourism. Heritage tourism is among the very oldest forms of travel. Activities such as visits to sites of historical importance, including built environments and urban areas, rural and agricultural landscapes, natural regions, locations where historic events occurred and places where interesting and significant living cultures dominate are all forms of heritage tourism. As such, this form of tourism dominates the industry in many parts of the world and involves millions of people. During the past 20 years, the study of tourism has become highly fragmented and specialised into various theme areas, or concentrations. Within this context, heritage tourism is one of the most commonly investigated forms of tourism, and hundreds of scholars and industry workers are involved in researching its dynamics and concepts. This academic attention has resulted in the publication of hundreds of refereed articles in various scholarly media, yet, until now there has been no journal devoted specifically to heritage tourism; Journal of Heritage Tourism was launched to fill this gap. JHT seeks to critically examine all aspects of heritage tourism. Some of the topics to be explored within the context of heritage tourism will include colonial heritage, commodification, interpretation, urban renewal, religious tourism, genealogy, patriotism, nostalgia, folklore, power, funding, contested heritage, historic sites, identity, industrial heritage, marketing, conservation, ethnicity, education and indigenous heritage.