在斯洛博赞斯基省神圣建筑的发展中恢复传统

O. Eroshkina, O. Ivanov, D. Vintaev
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引用次数: 0

摘要

这样,精神与神圣的两个生命宇宙——民族与神祗——再次结合,创造精英(贵族-官员)建筑艺术文化的时代——巴洛克与古典主义传统——与民间神圣文化的连续时空相结合。然而,构成民间传统的深层本质的一系列复杂而又基本上被遗忘的有意义的精神符号重新团聚了。这已经被证明了。第一次对民族建筑和艺术的新的独特性和原创性的民族意识和有效的探索正是源于现代主义时代和与此趋势遗传相关的民族根源的民间风格(民族浪漫主义)建筑。事实证明,在现代成功发展了深厚寺庙建筑传统的斯洛博扬建筑师之一是哈尔科夫教区的最后一位建筑师(1907-1917)Volodymyr Mykolayovych Pokrovsky。Namagannya yaknaishvidshe要记住,在一个小时的悲惨panuvannya的无神论主权教义的神圣建筑宝库再次迫使专业设计师转过身来,直到过去的nadban。经过长时间的休息和严重的错误损失,画廊里苏斯拉和神秘斯泰茨基蒸馏的创意艺术家掌握了现代教堂符号的新传统塑性丰富性。就像在最大的地方和创造性的过程中一样,这些过程是最不痛苦的,在区域边缘,有一种宽恕和更多一点。这并不比过去出现在这里的大多数废墟少,比如,最重要的画廊,最重要的画廊,最传统的创新,神圣的日常生活早就应该出现了,延伸了许多代人的生命,科学上的rapist prizupineno。蒂姆更重要的是评估整个生活的深度,传统的斯洛博詹神圣建筑可以直接远离。关键词:发展,原则,基础,神圣建筑,地域传统。
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RESTORATION OF TRADITIONS IN THE DEVELOPMENT OF PROVINCIAL SLOBOZHANSKY SACRED ARCHITECTURE
In this way, the two living cosmos of the spiritual and sacred - ethnos and theos - are combined again, the times of the creation of elite (aristocratic-official) architectural and artistic culture - the baroque and classicist tradition - are combined with the continuous time-space of folk sacred culture. The meaningful series of complex and largely forgotten spiritual symbols, which, however, constitute the deep essence of the folk tradition, are reunited. It has been proven. that the first nationally conscious and effective searches for a new uniqueness and originality of national architecture and art originate precisely from the era of modernism and ethnically rooted folk-style (national-romantic) architecture genetically related to this trend. It has been proven that one of the Slobojan architects who successfully developed deep traditions of temple architecture in the modern era was the last Kharkiv diocesan architect (1907-1917) Volodymyr Mykolayovych Pokrovsky. Namagannya yaknaishvidshe to remember three-quarters of the delay in an hour of miserable panuvannya of the atheistic sovereign doctrine of the treasury of sacral architecture once again forced professional designers to turn around until the nadban of the past. After a long break and severe wrongful losses, the creative artists of susilla and mystetsky distillation in the gallery mastered the new and traditional plastic richness of modern church symbols. As in the largest places and creative processes, the processes are least painless, in the regional periphery there is a pardon and a little mor. And it’s not less than the fact that the most ruins appeared here in the past, ale th, the main rank, the one who traditional innovations at the most important gallery, the sacred everyday life was long overdue, stretching out life for many generations, pcs scientifically rapist prizupineno. Tim more importantly assess the whole depth of the living tradition of Slobozhan sacred architecture can be directly far away. Keywords: development, principles, foundations, sacred architecture, regional traditions.
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