{"title":"安静空间:公共场所——弱势身份的视觉表现","authors":"Nadia Elize Van Der Walt","doi":"10.1080/1472586x.2023.2280143","DOIUrl":null,"url":null,"abstract":"AbstractThis study examines the visual representation of vulnerable individuals in documentary photography while prioritising ethical considerations and aiming to avoid exploitation. By leveraging the power of symbolic commentary, the research aims to capture social situations that address vulnerability without revealing the identities of the subjects. Focusing on Bet Sheekoom: House of Restoration for Women and Children and Maranatha Mission Station, the documentary series portrays these environments and their residents without disclosing any personal identifiers. This approach safeguards the participants from potential harm and aims to ensure their anonymity, while still engaging in a meaningful societal dialogue. Drawing on principles from documentary photography, visual studies, and ethics, this research contributes to understanding responsible representation and power dynamics within the visual representation of vulnerable identities. By navigating the delicate balance between social commentary and ethical practices, the study offers insight into alternative methods of capturing and highlighting vulnerable populations. The findings shed light on the significance of ethical considerations in documentary photography, demonstrating the importance of respecting the dignity and privacy of vulnerable individuals. This study contributes to the broader discourse on visual representation, offering valuable insight for practitioners, scholars, and those interested in the ethical dimensions of photography. DISCLOSURE STATEMENTNo potential conflict of interest was reported by the author(s).Notes1 Throughout this paper the terms ‘vulnerable identities’ and ‘vulnerable groups’ will make reference to the research participants involved in the photographic documentation conducted at the two safe havens namely, Bet Sheekoom House of Restoration for Women and Children and Maranatha Mission Station.Additional informationNotes on contributorsNadia Elize Van Der WaltNadia is a lecturer at Greenwich University, Vietnam, with an extensive background in documentary photography, videography, film, gender, and queer studies. She earned her master's degree (cum laude) from Nelson Mandela University, South Africa, and currently dedicates herself to her Ph.D. Recently recognised as the Best Presenter at GWS2023 in Thailand and a presenter at the National Conference on Vulnerability Studies in India, she is also a highlighted speaker at the World Conference on Gender and Women's Studies 2023, London. Her research interests intersect the fields of visual media and gender studies, offering a unique perspective on identity and representation.","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"17 7","pages":"0"},"PeriodicalIF":0.7000,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"<i>Quiet Spaces: Public Places</i> – visual representation of vulnerable identities\",\"authors\":\"Nadia Elize Van Der Walt\",\"doi\":\"10.1080/1472586x.2023.2280143\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"AbstractThis study examines the visual representation of vulnerable individuals in documentary photography while prioritising ethical considerations and aiming to avoid exploitation. By leveraging the power of symbolic commentary, the research aims to capture social situations that address vulnerability without revealing the identities of the subjects. Focusing on Bet Sheekoom: House of Restoration for Women and Children and Maranatha Mission Station, the documentary series portrays these environments and their residents without disclosing any personal identifiers. This approach safeguards the participants from potential harm and aims to ensure their anonymity, while still engaging in a meaningful societal dialogue. Drawing on principles from documentary photography, visual studies, and ethics, this research contributes to understanding responsible representation and power dynamics within the visual representation of vulnerable identities. By navigating the delicate balance between social commentary and ethical practices, the study offers insight into alternative methods of capturing and highlighting vulnerable populations. The findings shed light on the significance of ethical considerations in documentary photography, demonstrating the importance of respecting the dignity and privacy of vulnerable individuals. This study contributes to the broader discourse on visual representation, offering valuable insight for practitioners, scholars, and those interested in the ethical dimensions of photography. DISCLOSURE STATEMENTNo potential conflict of interest was reported by the author(s).Notes1 Throughout this paper the terms ‘vulnerable identities’ and ‘vulnerable groups’ will make reference to the research participants involved in the photographic documentation conducted at the two safe havens namely, Bet Sheekoom House of Restoration for Women and Children and Maranatha Mission Station.Additional informationNotes on contributorsNadia Elize Van Der WaltNadia is a lecturer at Greenwich University, Vietnam, with an extensive background in documentary photography, videography, film, gender, and queer studies. She earned her master's degree (cum laude) from Nelson Mandela University, South Africa, and currently dedicates herself to her Ph.D. Recently recognised as the Best Presenter at GWS2023 in Thailand and a presenter at the National Conference on Vulnerability Studies in India, she is also a highlighted speaker at the World Conference on Gender and Women's Studies 2023, London. 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引用次数: 0
摘要
摘要本研究在优先考虑伦理因素和避免剥削的前提下,探讨了纪实摄影中弱势个体的视觉表现。通过利用象征性评论的力量,该研究旨在捕捉在不暴露受试者身份的情况下解决脆弱性的社会情境。该系列纪录片聚焦于Bet Sheekoom:妇女和儿童的修复之家和Maranatha宣教站,在不透露任何个人身份的情况下描绘了这些环境和居民。这种方法可以保护参与者免受潜在的伤害,并确保他们的匿名性,同时仍然参与有意义的社会对话。借鉴纪实摄影、视觉研究和伦理学的原则,本研究有助于理解弱势身份的视觉表现中的责任表现和权力动态。通过在社会评论和道德实践之间的微妙平衡,该研究为捕捉和突出弱势群体的替代方法提供了见解。调查结果揭示了纪实摄影中伦理考虑的重要性,表明了尊重弱势个体尊严和隐私的重要性。这项研究为视觉表现的广泛讨论做出了贡献,为实践者、学者和那些对摄影伦理维度感兴趣的人提供了有价值的见解。披露声明作者未报告潜在的利益冲突。注1在本文中,“弱势身份”和“弱势群体”指的是参与在两个安全港进行摄影记录的研究参与者,这两个安全港分别是:贝特谢库姆妇女和儿童修复之家和马拉纳塔任务站。作者简介:nadia Elize Van Der WaltNadia是越南格林威治大学的讲师,在纪实摄影、录像、电影、性别和酷儿研究方面有着广泛的背景。她在南非纳尔逊·曼德拉大学(Nelson Mandela University)获得硕士学位(优等成绩),目前正在攻读博士学位。最近,她被评为泰国GWS2023最佳演讲者和印度全国脆弱性研究会议的演讲者,她也是2023年伦敦世界性别与妇女研究会议的重点演讲者。她的研究兴趣涉及视觉媒体和性别研究领域,对身份和表征提供了独特的视角。
Quiet Spaces: Public Places – visual representation of vulnerable identities
AbstractThis study examines the visual representation of vulnerable individuals in documentary photography while prioritising ethical considerations and aiming to avoid exploitation. By leveraging the power of symbolic commentary, the research aims to capture social situations that address vulnerability without revealing the identities of the subjects. Focusing on Bet Sheekoom: House of Restoration for Women and Children and Maranatha Mission Station, the documentary series portrays these environments and their residents without disclosing any personal identifiers. This approach safeguards the participants from potential harm and aims to ensure their anonymity, while still engaging in a meaningful societal dialogue. Drawing on principles from documentary photography, visual studies, and ethics, this research contributes to understanding responsible representation and power dynamics within the visual representation of vulnerable identities. By navigating the delicate balance between social commentary and ethical practices, the study offers insight into alternative methods of capturing and highlighting vulnerable populations. The findings shed light on the significance of ethical considerations in documentary photography, demonstrating the importance of respecting the dignity and privacy of vulnerable individuals. This study contributes to the broader discourse on visual representation, offering valuable insight for practitioners, scholars, and those interested in the ethical dimensions of photography. DISCLOSURE STATEMENTNo potential conflict of interest was reported by the author(s).Notes1 Throughout this paper the terms ‘vulnerable identities’ and ‘vulnerable groups’ will make reference to the research participants involved in the photographic documentation conducted at the two safe havens namely, Bet Sheekoom House of Restoration for Women and Children and Maranatha Mission Station.Additional informationNotes on contributorsNadia Elize Van Der WaltNadia is a lecturer at Greenwich University, Vietnam, with an extensive background in documentary photography, videography, film, gender, and queer studies. She earned her master's degree (cum laude) from Nelson Mandela University, South Africa, and currently dedicates herself to her Ph.D. Recently recognised as the Best Presenter at GWS2023 in Thailand and a presenter at the National Conference on Vulnerability Studies in India, she is also a highlighted speaker at the World Conference on Gender and Women's Studies 2023, London. Her research interests intersect the fields of visual media and gender studies, offering a unique perspective on identity and representation.
期刊介绍:
Visual Studies is a major international peer-reviewed journal published on behalf of the International Visual Sociology Association. The journal publishes visually-oriented articles across a range of disciplines, and represents a long-standing commitment to empirical visual research, studies of visual and material culture, the development of visual research methods and the exploration of visual means of communication about social and cultural worlds. Visual Studies is a key resource for all disciplines that engage with images, society and culture, and sets the standard for the scholarly use of visual material. The multidisciplinary character of the journal is reflected in its attention to visually-based research in sociology, anthropology, cultural and media studies, documentary film and photography, information technology, education, communication studies as well as other fields concerned with image-based study. The aims of Visual Studies are to: -Provide an international forum for the development of visual research. -Promote acceptance and understanding of a wide range of methods, approaches and paradigms that constitute image-based research. -Reduce the disparity in emphasis between visual and written studies in the social sciences. -Promote an interest in developing visual research methodology in all its various forms. -Encourage research that employs a mixture of visual methods and analytical approaches within one study. -Critically reflect and contribute to the dialogue surrounding ‘the visual’ across the social sciences and humanities. -Provide an arena for in-depth exploration of various approaches, particular methods, themes and visual phenomena. Most articles published in the journal are accompanied by appropriate visual material, and the journal encourages visually-led submissions.