印象派与后印象派:中国的争议性接受(1910-1950)

IF 0.1 3区 艺术学 0 ART OXFORD ART JOURNAL Pub Date : 2023-08-01 DOI:10.1093/oxartj/kcad012
Philippe Cinquini
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引用次数: 0

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期刊文章印象派和后印象派:在中国有争议的接受(1910-1950)获取菲利普·辛奎尼菲利普·辛奎尼搜索作者的其他作品:牛津学术谷歌学者牛津艺术杂志,第46卷,第2期,2023年8月,177-197页,https://doi.org/10.1093/oxartj/kcad012出版:2023年9月27日文章历史接收:2022年9月29日编辑决定:2023年6月11日接受:2023年6月22日校正和排版:出版日期:2023年9月27日
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Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950)
Journal Article Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950) Get access Philippe Cinquini Philippe Cinquini Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 46, Issue 2, August 2023, Pages 177–197, https://doi.org/10.1093/oxartj/kcad012 Published: 27 September 2023 Article history Received: 29 September 2022 Editorial decision: 11 June 2023 Accepted: 22 June 2023 Corrected and typeset: 27 July 2023 Published: 27 September 2023
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
26
期刊介绍: The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.
期刊最新文献
Correction to: The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972) Ways of Seeing Impressionism circa 1968 On the Beaten Track Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950) What Makes Mina Loy Modern?
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