Blaan flalok的文化主题:口头爱的保存、发展和可持续性的复兴

John Vianney Trocio, Evan Campos, Angelo Lenard Yu
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摘要

本研究分析了菲律宾桑托斯将军、萨兰加尼和南哥打巴托的Blaan土著人民(ip)的文化,反映在他们的flalok(口头传说)中。本文运用定性描述的方法,讨论了布兰祖先复述的神话、传说和民间故事中的传统信仰模式。汤普森的母题指数理论被用于整理布兰族民间叙事中反复出现的概念。flalok中常见的Blaan文化主题包括家庭关系、家务劳动、部落战争、竞赛、动物陷阱和农业耕作。该研究有助于菲律宾研究的不断丰富,并将棉兰老岛研究描述为该工作的一个重要方面。它为文化工作者、研究人员和学者提供了一个参考,以了解棉兰老岛三族人(ip、Bangsamoro和基督教定居者)的生活和工作如何维持更广泛的菲律宾文化视野。具体来说,它为持久的文化主题提供了更具包容性的起点,使其成为菲律宾戏剧、电影、创意写作、舞蹈、音乐和其他艺术中反映的更广泛的文化欣赏的一部分。
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Cultural motifs in Blaan flalok: Revitalization of oral lore for preservation, development, and sustainability
This study analyzes the culture of the Blaan indigenous peoples (IPs) in General Santos, Sarangani, and South Cotabato, Philippines, as reflected in their flalok (oral lore). Utilizing qualitative-descriptive methods, it discusses patterns of traditional beliefs in myths, legends, and folktales as retold by Blaan ancestors. Thompson’s Motif-Index Theory was used to codify recurring concepts in selected Blaan folk narratives. Frequent Blaan cultural motifs in the flalok include familial relationships, domestic work, tribal war, competitions, animal trapping, and agricultural farming. The research contributes to the continuous enrichment of Philippine Studies and delineates Mindanao Studies as a significant aspect of that work. It provides a reference for cultural workers, researchers, and academics to understand how the lives and works of Mindanaoan Tri-people (IPs, Bangsamoro, and Christian settlers) sustain broader Filipino cultural perspectives. Specifically, it provides more inclusive starting points for enduring cultural motifs to be part of the broader cultural appreciation reflected in Philippine theater, film, creative writing, dance, music, and other arts.
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