{"title":"诗","authors":"Natalie Czech","doi":"10.3366/count.2023.0306","DOIUrl":null,"url":null,"abstract":"Natalie Czech's work has explored interfaces between conceptual photography, poetry and everyday objects. In ‘poems’, presented in this issue of CounterText and extracted from a forthcoming work, she presents a lexicon of common computer icons that visually refer to familiar objects while indicating different functionality within computing. The work plays also with semantic slippage and with permutational potential within the captioning provided.","PeriodicalId":42177,"journal":{"name":"CounterText-A Journal for the Study of the Post-Literary","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poems\",\"authors\":\"Natalie Czech\",\"doi\":\"10.3366/count.2023.0306\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Natalie Czech's work has explored interfaces between conceptual photography, poetry and everyday objects. In ‘poems’, presented in this issue of CounterText and extracted from a forthcoming work, she presents a lexicon of common computer icons that visually refer to familiar objects while indicating different functionality within computing. The work plays also with semantic slippage and with permutational potential within the captioning provided.\",\"PeriodicalId\":42177,\"journal\":{\"name\":\"CounterText-A Journal for the Study of the Post-Literary\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CounterText-A Journal for the Study of the Post-Literary\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/count.2023.0306\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CounterText-A Journal for the Study of the Post-Literary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/count.2023.0306","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Natalie Czech's work has explored interfaces between conceptual photography, poetry and everyday objects. In ‘poems’, presented in this issue of CounterText and extracted from a forthcoming work, she presents a lexicon of common computer icons that visually refer to familiar objects while indicating different functionality within computing. The work plays also with semantic slippage and with permutational potential within the captioning provided.
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