{"title":"斋浦尔，镜框之外:摄影随笔","authors":"James Corby, Dragana Rankovic","doi":"10.3366/count.2023.0309","DOIUrl":null,"url":null,"abstract":"In ‘Jaipur, Beyond the Frame: A Photographic Essay’, defying the colourful aesthetic cliches of the India of the imagination, Dragana Rankovic’s black-and-white street photography documents daybreak encounters and an unpolished view of Rajasthan’s Pink City, offering James Corby an opportunity to reflect on the politics of framing and the economies of visibility in literature and beyond.","PeriodicalId":42177,"journal":{"name":"CounterText-A Journal for the Study of the Post-Literary","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jaipur, Beyond the Frame: A Photographic Essay\",\"authors\":\"James Corby, Dragana Rankovic\",\"doi\":\"10.3366/count.2023.0309\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In ‘Jaipur, Beyond the Frame: A Photographic Essay’, defying the colourful aesthetic cliches of the India of the imagination, Dragana Rankovic’s black-and-white street photography documents daybreak encounters and an unpolished view of Rajasthan’s Pink City, offering James Corby an opportunity to reflect on the politics of framing and the economies of visibility in literature and beyond.\",\"PeriodicalId\":42177,\"journal\":{\"name\":\"CounterText-A Journal for the Study of the Post-Literary\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CounterText-A Journal for the Study of the Post-Literary\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/count.2023.0309\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CounterText-A Journal for the Study of the Post-Literary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/count.2023.0309","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
In ‘Jaipur, Beyond the Frame: A Photographic Essay’, defying the colourful aesthetic cliches of the India of the imagination, Dragana Rankovic’s black-and-white street photography documents daybreak encounters and an unpolished view of Rajasthan’s Pink City, offering James Corby an opportunity to reflect on the politics of framing and the economies of visibility in literature and beyond.
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