{"title":"来自蓝色t恤男人的五个世界:采访罗素·c·梁安琪","authors":"Jonathan Locke Hart","doi":"10.1080/17449855.2023.2262777","DOIUrl":null,"url":null,"abstract":"ABSTRACTThis interview delves into Russell Leong’s complex coming-of-age as a Chinese American poet, influenced by US–Sino relations, the notorious Joseph McCarthy anti-Red and anti-China era of the 1950s, and the local status of being a person and writer of colour in a post-World War Two America during the past 70 years. The interview explores why Leong considers himself to be more a “man in a blue T-shirt” than a diasporic colonial in exile; how scholars in China view Chinese Americans, and Leong’s response in terms of his life, identity, and poetry; the relation between theory and practice in Leong's work; how Chinese American works as “diasporic”; whether he was “orientalized” by studying Asian Americans; how he would characterize his own work; and how, as a fellow poet, Hart sees Leong's work as a poet and visual artist. The interview ends with Hart’s “Musings on the Interview” and his sample close reading.KEYWORDS: Chinese Americanpoetrydiasporicorientalismeast–west divideRussell Leong Disclosure statementNo potential conflict of interest was reported by the author.Notes1. This and other quotations in this interview constitute the first print publication of “Five Worlds”.Additional informationNotes on contributorsJonathan Locke HartJonathan Locke Hart – writer, historian, and literary scholar – received his PhD from Toronto in English and a PhD in history from Cambridge; he is fellow of the Royal Society of Canada, member of the Academia Europea; chair professor of the School of Translation Studies, Shandong University; fellow, Centre for Reformation and Renaissance Studies, Victoria College, University of Toronto; associate, Harvard University Herbaria; and life member, Clare Hall, University of Cambridge. He has held visiting appointments at Harvard, Cambridge, Princeton, the Sorbonne-Nouvelle (Paris III), Leiden, UC Irvine, Peking University, and elsewhere.","PeriodicalId":44946,"journal":{"name":"Journal of Postcolonial Writing","volume":"105 37","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Five worlds from the man in the blue T-shirt: Interview with Russell C. Leong\",\"authors\":\"Jonathan Locke Hart\",\"doi\":\"10.1080/17449855.2023.2262777\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACTThis interview delves into Russell Leong’s complex coming-of-age as a Chinese American poet, influenced by US–Sino relations, the notorious Joseph McCarthy anti-Red and anti-China era of the 1950s, and the local status of being a person and writer of colour in a post-World War Two America during the past 70 years. The interview explores why Leong considers himself to be more a “man in a blue T-shirt” than a diasporic colonial in exile; how scholars in China view Chinese Americans, and Leong’s response in terms of his life, identity, and poetry; the relation between theory and practice in Leong's work; how Chinese American works as “diasporic”; whether he was “orientalized” by studying Asian Americans; how he would characterize his own work; and how, as a fellow poet, Hart sees Leong's work as a poet and visual artist. The interview ends with Hart’s “Musings on the Interview” and his sample close reading.KEYWORDS: Chinese Americanpoetrydiasporicorientalismeast–west divideRussell Leong Disclosure statementNo potential conflict of interest was reported by the author.Notes1. This and other quotations in this interview constitute the first print publication of “Five Worlds”.Additional informationNotes on contributorsJonathan Locke HartJonathan Locke Hart – writer, historian, and literary scholar – received his PhD from Toronto in English and a PhD in history from Cambridge; he is fellow of the Royal Society of Canada, member of the Academia Europea; chair professor of the School of Translation Studies, Shandong University; fellow, Centre for Reformation and Renaissance Studies, Victoria College, University of Toronto; associate, Harvard University Herbaria; and life member, Clare Hall, University of Cambridge. 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Five worlds from the man in the blue T-shirt: Interview with Russell C. Leong
ABSTRACTThis interview delves into Russell Leong’s complex coming-of-age as a Chinese American poet, influenced by US–Sino relations, the notorious Joseph McCarthy anti-Red and anti-China era of the 1950s, and the local status of being a person and writer of colour in a post-World War Two America during the past 70 years. The interview explores why Leong considers himself to be more a “man in a blue T-shirt” than a diasporic colonial in exile; how scholars in China view Chinese Americans, and Leong’s response in terms of his life, identity, and poetry; the relation between theory and practice in Leong's work; how Chinese American works as “diasporic”; whether he was “orientalized” by studying Asian Americans; how he would characterize his own work; and how, as a fellow poet, Hart sees Leong's work as a poet and visual artist. The interview ends with Hart’s “Musings on the Interview” and his sample close reading.KEYWORDS: Chinese Americanpoetrydiasporicorientalismeast–west divideRussell Leong Disclosure statementNo potential conflict of interest was reported by the author.Notes1. This and other quotations in this interview constitute the first print publication of “Five Worlds”.Additional informationNotes on contributorsJonathan Locke HartJonathan Locke Hart – writer, historian, and literary scholar – received his PhD from Toronto in English and a PhD in history from Cambridge; he is fellow of the Royal Society of Canada, member of the Academia Europea; chair professor of the School of Translation Studies, Shandong University; fellow, Centre for Reformation and Renaissance Studies, Victoria College, University of Toronto; associate, Harvard University Herbaria; and life member, Clare Hall, University of Cambridge. He has held visiting appointments at Harvard, Cambridge, Princeton, the Sorbonne-Nouvelle (Paris III), Leiden, UC Irvine, Peking University, and elsewhere.
期刊介绍:
The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.