诗歌、神话和讲故事在政治理论史上的作用

Pub Date : 2023-10-09 DOI:10.1080/13698230.2023.2248811
Sophie Smith
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引用次数: 0

摘要

摘要本文提出了三个问题:什么是神话?神话能做什么?认识到虚构和富有想象力的叙述在政治理论中的中心地位,是否对我们如何研究政治理论的近代史有影响?首先,我认为在近代早期的英国,关于神话的讨论被嵌入到关于诗歌的本质和力量的更广泛的辩论中。这就提出了一个问题,即我们如何界定神话的标准,而不是其他形式的想象叙事。然后我问,神话是否不像人们通常认为的那样,仅仅是混淆视听,而且还可能制造真相?最后,如果政治理论的一个构成方面一直是对神话的关注,这就给了我们进一步的基础(如果需要这样的进一步基础)来关注20世纪60年代和70年代的女权主义理论家,他们的中心任务是揭露和揭穿盛行的神话。关键词:神话托马斯·莫尔弗朗西斯·培根诗歌想象力女权主义理论披露声明作者未发现潜在的利益冲突。请注意,根据基恩的说法,这允许文学神话既包括据说起源于这些文明本身的故事,也包括不一定起源于这些背景的关于古代或遥远文明的故事。我也不认为Keum的区别仅仅是命名的问题:文学神话是那些被明确命名的,而深层神话是那些没有被明确命名的。尤其是因为她把某些故事当作文学神话——就像拉斐尔·Hythloday在《乌托邦》中讲述的故事——而这些故事既不被讲述者称为“神话”,也不被读者称为“神话”。“寓言”是这里的翻译,但值得注意的是,在这种情况下,苏格拉底的对话者克贝斯用来指伊索的演讲的词是逻各斯。尽管我们不应该低估柏拉图对美国女性运动的参与程度,无论是在学术界还是学术界。关于将《理想国》列入妇女运动阅读清单的早期例子,见Cisler (Citation1968)。作者简介:索菲·史密斯,牛津大学政治与国际关系系政治理论副教授,牛津大学学院指导研究员。她的研究重点是早期现代政治思想和二十世纪的思想史,特别是女性主义政治理论史。
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Poetry, myth and storytelling in the history of political theory
ABSTRACTThis essay raises three questions: What has myth been? What can myth do? And does recognising the centrality of mythmaking and imaginative narration to political theory across time have implications for how we approach political theory's modern history? First, I suggest that discussions of myth in early modern England were embedded within broader debates about the nature and power of poetry. This raises questions about how we delineate the criteria for myth as opposed to other forms of imaginative narration. Then I ask whether myths are not simply obfuscating, as often assumed, but also potentially truth-making? Finally, if a constitutive aspect of political theory across time has been a preoccupation with myth, this gives us further ground (if such further ground is needed) to attend to feminist theorists in the 1960s and 70s, for whom a central task was to expose and debunk prevailing myths.KEYWORDS: MythThomas MoreFrancis Baconpoetryimaginationfeminist theory Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. Note that this allows, on Keum’s terms, literary myth to include both stories said to originate from those civilizations themselves as well as stories about ancient or remote civilizations which do not necessarily originate from those contexts.2. I don’t think the distinction for Keum here can simply be a matter of explicit naming, either: where literary myths are those that are explicitly named as such and deep myths are those which are not so named. Not least because she treats as literary myths certain stories – like that recounted by Raphael Hythloday in Utopia – which are not referred to as ‘myths’ either by their tellers or by their audience.3. ‘Fables’ is the translation here but it is worth noting that the word Cebes, Socrates’s interlocutor, uses to refer to Aesop’s speech in this instance is logos.4. Though we should not underestimate the extent to which Plato was engaged by movement women in the US, both inside and outside the academy. For an early example of the inclusion of the Republic on a women’s movement reading list see Cisler (Citation1968).Additional informationNotes on contributorsSophie SmithSophie Smith is Associate Professor of Political Theory in the Department of Politics and International Relations at the University of Oxford and a Tutorial Fellow of University College. Her research focuses on early modern political thought and twentieth-century intellectual history, especially the history of feminist political theory.
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