关于体验可持续性

Noora-Helena Korpelainen
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引用次数: 0

摘要

本文旨在从实用主义美学的角度阐明人类参与可持续转型的理解。通过可持续性转型,我指的是朝着增强环境和/或社会可持续性的方向发展的过程变化。冒着不恰当的风险,我认为审美敏感性的培养体现在体验可持续性上。为了理解那些传达可持续转型管理前景的普通经验,我回到了约翰·杜威的《作为经验的艺术》(1934)。首先,杜威的感性概念是两面性的,既标志着适应,也标志着表达。其次,通过将感性的两个方面与当代实用主义美学讨论结合起来,我提出审美感性意味着一种与转型相协调的共同实践。我的分析表明,在体验可持续性的过程中,承认审美敏感性代表着一种过渡,即人类的改善实践是在与其他生物(生物和非生物)合作中发展起来的。对于可持续性过渡和随后预期的转变的成果,审美敏感性应该被认为是感官方法的一个重要方面。
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On Experiencing Sustainability
This essay aims at clarifying our understanding of human participation in sustainability transitions from the pragmatist aesthetics perspective. By sustainability transitions, I refer to processual changes that move towards enhanced environmental and/or social sustainability. At the risk of inappropriateness, I argue that the cultivation of aesthetic sensibility manifests in experiencing sustainability. To understand those ordinary experiences that convey vistas for sustainability transition management, I return to John Dewey’s Art as Experience (1934). I first show that Dewey’s conception of sensibility is two-sided, marking both adaptation and expression. Second, by building on the two sides of sensibility together with the contemporary pragmatist aesthetics discussion, I propose that aesthetic sensibility means a shared practice of attuning to transformation. My analysis suggests that acknowledging aesthetic sensibility in experiencing sustainability stands for a transition towards an enhanced conception of the human being as one whose ameliorative practices evolve in collaboration with other beings, living and non-living. For the fruition of sustainability transitions and subsequent expected transformations, aesthetic sensibility should then be acknowledged as a significant dimension of the sensory approach.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
45
审稿时长
24 weeks
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