小仁慈:丹尼斯·勒汉的小说(书评)

IF 0.3 4区 文学 0 LITERATURE World Literature Today Pub Date : 2023-11-01 DOI:10.1353/wlt.2023.a910294
W. M. Hagen
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引用次数: 0

摘要

书评:小仁慈:丹尼斯·勒哈恩小说w·m·哈根丹尼斯·勒哈恩《小仁慈:小说》纽约。哈珀》2023。299页。我读了这么多推理和犯罪小说的主要理由是,这些书有助于维持经典的现实主义。角色被设定在一个重要的环境中。通常情况下,社交或自然环境足以推动某些行为。了解环境通常是理解角色的最佳方式。凭借他的PI系列和最畅销的作品,如神秘河和禁闭岛,丹尼斯·勒汉被认为拥有波士顿和新英格兰的部分地区。那么,还有谁比他更适合在1974年波士顿种族冲突的背景下创作一个故事呢?当时,两个贫困地区——一个是白人,一个是黑人——被勒令把一半的高中学生送到另一个学校去。勒哈恩的重点是南波士顿,或者说“南波士顿”,书中的人物似乎既来自联邦大道(Commonwealth Avenue)和其他街道,也很有个性。玛丽·帕特是一位单身母亲,为了维持自己和女儿的生活,她要平衡两份工作。她不是圣人,她的拳头很灵巧,但她相信邻里之间的准则,人们互相照顾。当她开始向人们询问她失踪的女儿时,密码暴露了自己的缺陷。由于她向邻居(包括当地的爱尔兰帮派成员)表明了自己的立场,她被警告自己要打破密码。最令她烦恼的是,她怀疑自己的女儿与一位黑人同事儿子的死亡有关。这并不是说她本人在种族问题上是一个自由主义者——她的词汇和其他南方人一样带有种族主义色彩——而是说她尊重好人,并且认识到她的同事确实比她自己有更好的家庭状况。勒汉扩大了范围:玛丽·帕特访问哈佛广场,与她的前夫交谈。虽然她已经打扮好了,但她意识到自己在学生眼中的形象是“一个来自河对岸的工人阶级女人,穿着西尔斯百货(sears)目录上最可笑的衣服进入他们的世界。”她还遇到并理解被一群青少年杀害的年轻人的黑人父母的愤怒,其中包括她失踪的女儿。在跟踪一个对她女儿的遭遇负有责任的南方黑帮成员的过程中,她打电话给一位同情她的警探,试图解释她自己的种族主义,她女儿的种族主义,以及南波士顿的种族主义是如何被那些只想要归属感的孩子们的谎言所助长的。“他们告诉你这才是正道……你想,我想成为道的一部分. . . .我这辈子都得和这些人生活在一起。而且那里很暖和。”当玛丽·帕特意识到她自己的家庭,她的儿子和女儿是如何因为被容忍的违反社区标准的行为而成为受害者时,她就把自己置身于社区的道路和规范之外。她的故事,在法院计划下令废除公立学校种族隔离、抗议和种族暴力的背景下,突出了在住房契约隔离的社区与“自己的同类”生活的安全和压力。玛丽·帕特(Mary Pat)和其他人意识到,无论种族或阶级如何,他们与他人都是相通的,这在波士顿十多年种族暴力的黑暗开端中构成了一丝怜悯和希望。版权©2023世界文学今日和俄克拉何马大学校董会
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Small Mercies: A Novel by Dennis Lehane (review)
Reviewed by: Small Mercies: A Novel by Dennis Lehane W. M. Hagen DENNIS LEHANE Small Mercies: A Novel New York. Harper. 2023. 299 pages. MY MAIN DEFENSE for reading so much mystery and crime fiction is that such books help sustain classic realism. Characters are set in an environment that matters. Quite often the social or natural setting has enough presence to impel certain actions. Knowing the environment is often the best way to understand the characters. With his PI series and best-selling titles such as Mystic River and Shutter Island, Dennis Lehane is recognized as owning parts of Boston and New England. Who better, then, to create a story in the context of the 1974 racial strife in Boston, when two poor districts—one white and one Black—were ordered to bus half their high school students to the other's school? Lehane's focus is on South Boston or "Southie," with characters who seem as much extracted from Commonwealth Avenue and other streets as they are individual. Mary Pat, a single mother, balances two jobs to sustain a life for herself and her daughter. She's no saint, quite handy with her fists, but believes in the code of the neighborhood, [End Page 77] where folks watch out for one another. The code reveals itself as flawed when she begins to ask people about her missing daughter. As a result of asserting herself with neighbors, including members of the local Irish gang, she is warned about breaking the code herself. Most troubling for her is her suspicion that her daughter is somehow connected to the death of the son of a Black co-worker. Not that she is a liberal about race herself—her vocabulary is as racist as any other Southie—but she respects good people and recognizes her co-worker really has a better family situation than her own. Lehane enlarges the scope: Mary Pat visits Harvard Square, to speak to her former husband. Although she has dressed up, she becomes aware of how she is perceived by the students, as "a working-class broad from the other side of the river who came into their world in her laughable Sears-catalog best." She also meets and understands the anger of the Black parents of the young man killed by a group of teens, including her missing daughter. In the midst of stalking a Southie mob member, responsible for whatever happened to her daughter, she phones a sympathetic police detective to try to explain how her own racism, her daughter's racism, and South Boston's racism is fueled by lies told to children who want nothing more than to belong. "And they tell you that's the Way . . . you think, I want to be part of the Way. . . . I gotta live with these people my whole life. And it's warm in there." Mary Pat puts herself outside the Way and the code of the neighborhood, once she realizes how her own family, her son and her daughter, were victimized because of tolerated violations of community standards. Her story, in the context of planned court-ordered desegregation of public schools, protests, and racial violence, highlights the security and pressure of living with "your own kind," in neighborhoods segregated by housing covenants. Mary Pat's and others' realizations of their commonality with others, regardless of race or class, make up small flashes of mercy and hope during the dark onset of more than a decade of racial violence in Boston. W. M. Hagen Oklahoma Baptist University Copyright © 2023 World Literature Today and the Board of Regents of the University of Oklahoma
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