{"title":"十四行诗中的羞耻与团结","authors":"Paul Yachnin","doi":"10.1093/sq/quad006","DOIUrl":null,"url":null,"abstract":"The outbreak of civil mutiny in Rome can be seen, then, to result not so much from the disclosure of Caesar’s “will”—his maleness—as from the disclosure of his wounds, his femaleness, and from the affective power these wounds have in flowing to transform Antony from part to whole, from Caesar’s limb to motivated Orphic speaker, causing stones to rise up. Gail Kern Paster, The Body Embarrassed1 Is man no more than this? Consider him well. Thou ow’st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha? here’s three on ’s are sophisticated. Thou art the thing itself: unaccommodated man is no more but such a poor, bare, fork’d animal as thou art. King Lear, 3.4.101–1082","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"7 1","pages":"0"},"PeriodicalIF":0.5000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shame and Solidarity in the Sonnets\",\"authors\":\"Paul Yachnin\",\"doi\":\"10.1093/sq/quad006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The outbreak of civil mutiny in Rome can be seen, then, to result not so much from the disclosure of Caesar’s “will”—his maleness—as from the disclosure of his wounds, his femaleness, and from the affective power these wounds have in flowing to transform Antony from part to whole, from Caesar’s limb to motivated Orphic speaker, causing stones to rise up. Gail Kern Paster, The Body Embarrassed1 Is man no more than this? Consider him well. Thou ow’st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha? here’s three on ’s are sophisticated. Thou art the thing itself: unaccommodated man is no more but such a poor, bare, fork’d animal as thou art. King Lear, 3.4.101–1082\",\"PeriodicalId\":39634,\"journal\":{\"name\":\"SHAKESPEARE QUARTERLY\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SHAKESPEARE QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/sq/quad006\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SHAKESPEARE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/sq/quad006","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
The outbreak of civil mutiny in Rome can be seen, then, to result not so much from the disclosure of Caesar’s “will”—his maleness—as from the disclosure of his wounds, his femaleness, and from the affective power these wounds have in flowing to transform Antony from part to whole, from Caesar’s limb to motivated Orphic speaker, causing stones to rise up. Gail Kern Paster, The Body Embarrassed1 Is man no more than this? Consider him well. Thou ow’st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha? here’s three on ’s are sophisticated. Thou art the thing itself: unaccommodated man is no more but such a poor, bare, fork’d animal as thou art. King Lear, 3.4.101–1082
期刊介绍:
Founded in 1950 by the Shakespeare Association of America, Shakespeare Quarterly is a refereed journal committed to publishing articles in the vanguard of Shakespeare studies. The Quarterly, produced by Folger Shakespeare Library in association with George Washington University, features notes that bring to light new information on Shakespeare and his age, issue and exchange sections for the latest ideas and controversies, theater reviews of significant Shakespeare productions, and book reviews to keep its readers current with Shakespeare criticism and scholarship.