{"title":"你一定会说:《英王钦定本》17 .世纪","authors":"Andrea Hofmann","doi":"10.30965/27727629-20230010","DOIUrl":null,"url":null,"abstract":"Abstract Using the song “Sie ist mir lieb, die werte Magd” by Martin Luther (1535) and psalm songs from the hymnal of the Leipzig pastor Cornelius Becker (1602) as examples, this article asks about the image of the ‘church’ in Lutheran songs of the Reformation and the Confessional Age and how this image in particular developed in the 16th and 17th centuries. What Luther and Becker have in common is that their songs aimed to create a sense of belonging and an awareness of one’s own identity within the singing Protestant community. Church songs, whose themes could also be about the church, thus served not least to build up the church in the spirit of the Reformation.","PeriodicalId":80558,"journal":{"name":"Artes de Mexico","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„Sie ist mir lieb, die werte Magd.“ Das Bild der Kirche in lutherischen Liedern des 16. und 17. Jahrhunderts\",\"authors\":\"Andrea Hofmann\",\"doi\":\"10.30965/27727629-20230010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Using the song “Sie ist mir lieb, die werte Magd” by Martin Luther (1535) and psalm songs from the hymnal of the Leipzig pastor Cornelius Becker (1602) as examples, this article asks about the image of the ‘church’ in Lutheran songs of the Reformation and the Confessional Age and how this image in particular developed in the 16th and 17th centuries. What Luther and Becker have in common is that their songs aimed to create a sense of belonging and an awareness of one’s own identity within the singing Protestant community. Church songs, whose themes could also be about the church, thus served not least to build up the church in the spirit of the Reformation.\",\"PeriodicalId\":80558,\"journal\":{\"name\":\"Artes de Mexico\",\"volume\":\"42 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artes de Mexico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30965/27727629-20230010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artes de Mexico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/27727629-20230010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文以马丁·路德(1535)的歌曲“Sie ist mir lieb, die werte Magd”和莱比锡牧师科尼利厄斯·贝克尔(1602)的赞美诗为例,探讨了宗教改革和忏悔时代路德教会歌曲中的“教会”形象,以及这种形象在16世纪和17世纪的发展情况。路德和贝克尔的共同点是,他们的歌曲旨在创造一种归属感,并在歌唱的新教社区中意识到自己的身份。教会歌曲,其主题也可以是关于教会的,因此,在宗教改革的精神下,它们不仅有助于建立教会。
„Sie ist mir lieb, die werte Magd.“ Das Bild der Kirche in lutherischen Liedern des 16. und 17. Jahrhunderts
Abstract Using the song “Sie ist mir lieb, die werte Magd” by Martin Luther (1535) and psalm songs from the hymnal of the Leipzig pastor Cornelius Becker (1602) as examples, this article asks about the image of the ‘church’ in Lutheran songs of the Reformation and the Confessional Age and how this image in particular developed in the 16th and 17th centuries. What Luther and Becker have in common is that their songs aimed to create a sense of belonging and an awareness of one’s own identity within the singing Protestant community. Church songs, whose themes could also be about the church, thus served not least to build up the church in the spirit of the Reformation.