{"title":"新北方之声:英国黑人写作和奖励文化的政治退化","authors":"Chloe Ashbridge","doi":"10.1080/17449855.2023.2266156","DOIUrl":null,"url":null,"abstract":"ABSTRACT Representations of Black British life have long been concentrated in London. The capital occupies the centre of Britain’s post-imperial imaginary and its literary economy, with Manchester at the fore of attempts to address cultural inequalities, from George Osborne’s Northern Powerhouse agenda to regional outposts of the BBC and major publishers. Amidst increasing decentralizing momentum, this article proposes that literary awards are key in what James Procter and Corinne Fowler call the “devolution” of Black British writing. Focusing on Manchester’s Portico Prize for the book that “best evokes the spirit of the North of England”, I trace the award’s approach to “racial diversity” and “the North” since 1985, identifying a creative economy framework in which a “placed” literary northernness exists in tension with the centralized Black British discourse. Overall, this article suggests that literary awards articulate in new ways the spatial imbalances within Britain’s literary and political economies.","PeriodicalId":44946,"journal":{"name":"Journal of Postcolonial Writing","volume":"19 8","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New northern voices: Black British writing and the devolving politics of prize culture\",\"authors\":\"Chloe Ashbridge\",\"doi\":\"10.1080/17449855.2023.2266156\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Representations of Black British life have long been concentrated in London. The capital occupies the centre of Britain’s post-imperial imaginary and its literary economy, with Manchester at the fore of attempts to address cultural inequalities, from George Osborne’s Northern Powerhouse agenda to regional outposts of the BBC and major publishers. Amidst increasing decentralizing momentum, this article proposes that literary awards are key in what James Procter and Corinne Fowler call the “devolution” of Black British writing. Focusing on Manchester’s Portico Prize for the book that “best evokes the spirit of the North of England”, I trace the award’s approach to “racial diversity” and “the North” since 1985, identifying a creative economy framework in which a “placed” literary northernness exists in tension with the centralized Black British discourse. Overall, this article suggests that literary awards articulate in new ways the spatial imbalances within Britain’s literary and political economies.\",\"PeriodicalId\":44946,\"journal\":{\"name\":\"Journal of Postcolonial Writing\",\"volume\":\"19 8\",\"pages\":\"0\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-10-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Postcolonial Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17449855.2023.2266156\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Postcolonial Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17449855.2023.2266156","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
New northern voices: Black British writing and the devolving politics of prize culture
ABSTRACT Representations of Black British life have long been concentrated in London. The capital occupies the centre of Britain’s post-imperial imaginary and its literary economy, with Manchester at the fore of attempts to address cultural inequalities, from George Osborne’s Northern Powerhouse agenda to regional outposts of the BBC and major publishers. Amidst increasing decentralizing momentum, this article proposes that literary awards are key in what James Procter and Corinne Fowler call the “devolution” of Black British writing. Focusing on Manchester’s Portico Prize for the book that “best evokes the spirit of the North of England”, I trace the award’s approach to “racial diversity” and “the North” since 1985, identifying a creative economy framework in which a “placed” literary northernness exists in tension with the centralized Black British discourse. Overall, this article suggests that literary awards articulate in new ways the spatial imbalances within Britain’s literary and political economies.
期刊介绍:
The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.