{"title":"威廉·布莱克对《纯真之歌》的“引言”<i> /i>:烟斗的角色","authors":"Ian Thomson","doi":"10.47761/biq.347","DOIUrl":null,"url":null,"abstract":"The “Introduction” to Songs of Innocence is a short poem about a piper. This article addresses one particular feature that has not been thoroughly considered: the significance of the piper’s pipe. Examining the instrument and its role throws fresh light on the poem.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"William Blake’s “Introduction” to <i>Songs of Innocence</i>: The Role of the Pipe\",\"authors\":\"Ian Thomson\",\"doi\":\"10.47761/biq.347\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The “Introduction” to Songs of Innocence is a short poem about a piper. This article addresses one particular feature that has not been thoroughly considered: the significance of the piper’s pipe. Examining the instrument and its role throws fresh light on the poem.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.347\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.347","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
William Blake’s “Introduction” to <i>Songs of Innocence</i>: The Role of the Pipe
The “Introduction” to Songs of Innocence is a short poem about a piper. This article addresses one particular feature that has not been thoroughly considered: the significance of the piper’s pipe. Examining the instrument and its role throws fresh light on the poem.
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.