{"title":"\"我们所享受的,不过是承认的时刻。\"(2015年)","authors":"Laurent Cassagnau","doi":"10.1515/slaw-2023-0006","DOIUrl":null,"url":null,"abstract":"Summary Chlebnikov weint (2015), the first collection of poems by Anne Seidel (who was born in 1988 in Dresden), is more than a diary of her travels, be they real or imaginary, through the Russian territory and Russian culture and – more generally – the Slavic world. It causes images of today’s post-Soviet Eastern Europe to collide with images of the Stalinist or Nazi past through the use of figurative constellations which can be compared with Benjamin’s dialectic images. The collection is structured by the principle of differences and repetitions, of cycles and variations and of presence and absence whose dialectic creates what Anne Seidel calls “the instant of (re)cognition” after Mandelʹštam. That is why she defines every poem as a “form of absence”. That way, Anne Seidel keeps away from all memory projects which tend to crush the objects of poems under the weight of memorials.","PeriodicalId":41834,"journal":{"name":"ZEITSCHRIFT FUR SLAWISTIK","volume":"46 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„kostbar ist uns nur der augenblick des erkennens“. Eine Einführung in Anne Seidels <i>Chlebnikov weint</i> (2015)\",\"authors\":\"Laurent Cassagnau\",\"doi\":\"10.1515/slaw-2023-0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary Chlebnikov weint (2015), the first collection of poems by Anne Seidel (who was born in 1988 in Dresden), is more than a diary of her travels, be they real or imaginary, through the Russian territory and Russian culture and – more generally – the Slavic world. It causes images of today’s post-Soviet Eastern Europe to collide with images of the Stalinist or Nazi past through the use of figurative constellations which can be compared with Benjamin’s dialectic images. The collection is structured by the principle of differences and repetitions, of cycles and variations and of presence and absence whose dialectic creates what Anne Seidel calls “the instant of (re)cognition” after Mandelʹštam. That is why she defines every poem as a “form of absence”. That way, Anne Seidel keeps away from all memory projects which tend to crush the objects of poems under the weight of memorials.\",\"PeriodicalId\":41834,\"journal\":{\"name\":\"ZEITSCHRIFT FUR SLAWISTIK\",\"volume\":\"46 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ZEITSCHRIFT FUR SLAWISTIK\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/slaw-2023-0006\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ZEITSCHRIFT FUR SLAWISTIK","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/slaw-2023-0006","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
„kostbar ist uns nur der augenblick des erkennens“. Eine Einführung in Anne Seidels Chlebnikov weint (2015)
Summary Chlebnikov weint (2015), the first collection of poems by Anne Seidel (who was born in 1988 in Dresden), is more than a diary of her travels, be they real or imaginary, through the Russian territory and Russian culture and – more generally – the Slavic world. It causes images of today’s post-Soviet Eastern Europe to collide with images of the Stalinist or Nazi past through the use of figurative constellations which can be compared with Benjamin’s dialectic images. The collection is structured by the principle of differences and repetitions, of cycles and variations and of presence and absence whose dialectic creates what Anne Seidel calls “the instant of (re)cognition” after Mandelʹštam. That is why she defines every poem as a “form of absence”. That way, Anne Seidel keeps away from all memory projects which tend to crush the objects of poems under the weight of memorials.
期刊介绍:
"Zeitschrift für Slawistik" publishes critical essays on language and literature, on popular poetry and on the cultural history of Slavic people in the past and present. Special attention is paid to German-Slavic linguistic, literary and cultural relations within their European context, to onomastics, history and poetology of literary genres, Baltic studies, Sorbic studies, and to the history of Slavic studies. Literary reports and reviews give an insight into current tendencies and developments in international Slavonic research. Conference proceedings provide information about important academic events.