卑诗省温哥华邓斯缪尔街411号歌谣

IF 0.3 Q4 INDUSTRIAL RELATIONS & LABOR Labor-Studies in Working-Class History of the Americas Pub Date : 2023-09-01 DOI:10.1215/15476715-10581265
Tom Wayman
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引用次数: 0

摘要

它的四层楼仍然有大窗户,街道上的灰色大理石覆层,上面是棕褐色的砖。该建筑可以是任何建于1912年的市中心商业建筑。然而,这个地方是一座铭文难以辨认的纪念碑,是一首被交通淹没的联邦颂歌。第一拳打在米奇利身上,他的右肋骨一阵疼痛,还没来得及挡开,一拳从左边打在他的下巴上。一名警官开枪打死了阿尔伯特·古德温,他在帮助领导Trail冶炼厂争取八小时工作制的斗争后逃避了兵役。此时,人们还记得几年前,警察射杀了在CPR场地执行警戒任务的弗兰克·罗杰斯(Frank Rogers)。米奇利躲开了,但一把摇椅的腿与他的脸相接。作为对古德温被杀的回应,今年8月下午,加拿大正在举行首次公民大罢工。一拳打在米奇利的肚子上。他喘着气,向前瘫倒。整栋楼的窗户都被砸碎了,唱片和文件从桌子和橱柜里被拽出来,和家具一起散落在人行道上。这次罢工也是对法国四年来毫无意义的“结束所有战争的战争”的抗议。有轨电车一停运,商会成员就组织了一群退伍军人袭击罢工支持者,把他们带到芝加哥西部最大的工会和劳工委员会(Trades and Labour Council)有六年历史的劳工神庙。议会秘书米奇利蜷缩在地板上。他的右腿上被靴子戳了一下:每天工作12、14、16个小时。另一个问题:维持生计的工资。雨点般的靴子:没有政府的慈善——你要么找工作,要么挨饿。没有安全标准。如果在工作中受伤而无法工作,你唯一的办法就是起诉老板,就好像你负担得起那样,更不用说请医生了。让他亲吻国旗,有人喊道。横幅打在米奇利的脸上。他鼻子和牙槽里的血弄脏了衣服。这座建筑在1920年失去了议会,但它的歌声却流传了下来。歌词中写道,为什么我们这些工作的人对我们创造的财富是如何花掉的没有发言权呢?为什么民主在工厂门口、办公室门口就停止了?因为我们的工作,这座城市又活了一天。然而权威却希望我们默默无闻,多产,顺从。现在我们对他们来说什么都不是。但我们将获得自由。我们会成为所有人。
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The Ballad of 411 Dunsmuir St., Vancouver, BC
Its four stories still feature large windows,grey marble cladding at street leveland, above that, tan-colored brick. The structurecould be any downtown commercial buildingconstructed in 1912. Yet the place is a cenotaphwith an illegible inscription, is a union anthemdrowned out by traffic. The first fist hitsVic Midgley: pain explodes from his right ribsand before he can parry more, a punchslams into his jaw from the left.A constable has gunned down Albert Goodwin,evading the draft after he helped leadthe struggle for the eight-hour day at Trail's smelter.This while people still rememberhow some years before, the policeshot and killed Frank Rogers on picket dutyat the CPR yards. Midgley dodgesbut a swung chair legconnects with his face. In response toGoodwin's killing, the first civic general strikein Canada is underway this August afternoon.A fist plows into Midgley's stomach. He gaspsfor air, collapses forward. Throughout the buildingwindows are being smashed, records and filespulled from desks and cabinets and scatteredor tossed along with furniture onto the pavement.The strike is a protest, too, at four yearsof the pointless War to End All Wars in France.Once the streetcars stopped running,chamber of commerce membersorganized a mob of veterans to attackstrike supporters, directing them here tothe Trades and Labour Council's six-year-oldlabour temple, the largest west of Chicago. Midgley,Council secretary, has curled himself on the floor.A boot ploughs into his right side: twelve-, fourteen-,sixteen-hour work days. Another kick: subsistencewages. A rain of boots: no government charity—you find employment or starve. No safety standards.If injured on the job and can't work, your only recourseis sue the boss, as if you could afford that,let alone pay a doctor. Make him kiss the flag,someone shouts. The banner is slapped againstMidgley's face. Blood from his nose andthe sockets of his broken-off teeth stain the fabric.The building is lost to the Council in 1920but its song endures. Why should we who work,the lyrics proclaim, have no sayin how the wealth we create is spent?Why does democracy cease at the factory gate,the office door? Because of our jobs, the city livesanother day. Yet authority wants us invisible,productive, obedient. For now we are nothingto them. But we shall be free. We shallbe all.
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