艺术治疗对自杀未遂妇女心理情绪状态变化的影响

Stanislovas Mostauskis, Aušra Sebeikaitė, Jolita Rapolienė
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引用次数: 0

摘要

背景。研究的对象是立陶宛的女性自杀和后发问题的解决办法。女性的自杀行为受其对不同社会心理因素的心理敏感性的制约。自杀未遂妇女的心理情绪状态恶化,各种负面情绪盛行,缺乏自尊,感到失望。研究中使用的方法旨在回答同样的问题:艺术疗法对企图自杀的女性的心理情绪状态有影响吗?它使用不同的数据分析方法,即对小样本进行定量和定性分析。 研究的目标。这项研究的目的是展示艺术疗法对企图自杀的女性心理情绪状态变化的影响。以下任务和问题支持了研究的目的。任务:1)确定抑郁症状的变化;2)判断焦虑症状的变化。问题:1)在艺术治疗过程中,患者绘画中视觉上占主导地位的图像母题是如何变化的?2)在艺术治疗过程中,患者绘画中视觉上占主导地位的形式母题是如何变化的?3)形象母题和形式母题的变化是否与特定女性群体的情绪状态变化有关?4)定量和定性研究方法的结果是如何相互关联的? 方法。使用HADS量表进行混合研究,并分析视觉上占主导地位的图像和形式元素。 结果。艺术治疗干预显著降低了受试者的抑郁水平。艺术疗法对受试者的焦虑水平无显著影响。在艺术治疗过程中,被试绘画中所选择的图像主题发生了变化:从视觉上无法识别的对象到可识别的对象;从抽象的象征意义到更具体、更明确的意义;从数量较少到数量较多的图像元素;从图像模糊到更明确的情节。在艺术治疗过程中,患者绘画中选择的形式主题发生了变化:从不完整到更详细地描绘物体;从封闭型到更开放的剪影型;从一个与周围空间相对立的孤立物体到一个日益渗透到周围空间的物体;从封闭的构图到逐渐开放的构图;从线性到画面化;从较深到较浅的色阶;从贫穷到丰富的调色板。图像和形式母题的变化与被描绘对象的情感状态的变化有关:被描绘对象的孤立性的减少和与周围空间的严格分离表明了被描绘对象的对立性的减少,与周围世界的社会和心理联系的开始。从对一个对象的不完整描述到更详细的描述的转变表明,受试者的自我、他们的感觉以及他们与环境的联系从前的不可控性变成了清晰和理性的可控性;更具体、更真实的绘画表现了主体意识的增强和与周围世界的更好联系。 结论。艺术治疗干预后抑郁水平变化有统计学意义(p<0.05)。艺术治疗干预后焦虑水平变化无统计学意义(p>0.05)。绘画的转变是从抽象到具体的图像。绘画的形式主题变得更加详细,它们的表现形式也变得更加多样化;物体的描绘在复合空间中变得更加整合,构图变得更加开放;绘画变得更有艺术性,色彩范围也变得更广了。在治疗过程中,受试者的心理情绪状态各不相同,从超然、退缩、隐藏、害怕面对自己,到开放、试图注意并理解自己所有的消极情绪、管理消极情绪和规划自己的未来。关键词:艺术疗法,女性自杀,焦虑,抑郁。
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Effect of Art Therapy on Changes in Psycho-Emotional State for Women Who Have Attempted Suicide
Background. Research is directed towards female suicides and the solution of the postvention problems in Lithuania. Suicidal behavior of women is conditioned by their psychological sensitivity to different psycho-social factors. The-psycho-emotional state of women who have attempted suicide is worsened, different negative emotions prevail, they lack self-esteem and are disappointed. The methods used in the research aim to answer the same question: does art therapy have an effect on the psycho-emotional state of women who have attempted suicide? It uses different methods of data analysis, i.e. quantitative and qualitative analysis of a small sample. Research aim. The aim of the research is to present effects of art therapy on changes in the psycho-emotional state of women who have attempted suicide. The aim of the research is supported by the following tasks and questions. Tasks: 1) to determine changes of depression symptoms; 2) to determine change of anxiety symptoms. Questions: 1) how do visually dominant iconographic motifs in patients’ drawings change during art therapy? 2) how do visually dominant formal motifs in patients’ drawings change during art therapy? 3) does the change of iconographic and formal motifs relate to changes of the emotional state of a selected group of women? 4) how interrelated are results of quantitative and qualitative research methods? Methods. Mixed research was conducted using the HADS scale, with analysis of visually dominant iconographic and formal elements. Results. The art therapy intervention significantly reduced the level of depression in the subjects. Art therapy had no significant effect on subjects’ anxiety levels. Selected iconographic motifs in the subjectsʼ drawings during the process of art therapy changed: from visually unindentifiable to recognizable objects; from an abstract symbolic meaning to a more concrete and clearly defined meaning; from a smaller to a larger number of iconographic elements; from an iconographically blurred to a more explicit plot. Selected formal motifs in the patients’ drawings during the process of art therapy changed: from incomplete to more detailed depiction of the object; from closed to more open silhouette type; from an isolated object opposed to the surrounding space to an object increasingly infiltrating into that space; from a closed to a progressively more open composition; from linearity to pictoriality; from darker to lighter color scale; from poorer to richer color palettes. The change of iconographic and formal motifs is related to the change of the emotional state of the subjects: the reduced isolation of the depicted objects and the strict separation from the surrounding space show a reduced opposition of the subjects, and the beginning of the social and psychological connection with the surrounding world. The shift from an incomplete to a more detailed depiction of an object shows that the former uncontrollability of the subjects’ self, their feelings, and their connection with the environment turns into clear and rational controllability; more concrete and realistic drawings show the increased awareness of the subjects and better connection with the surrounding world. Conclusions. The change in depression levels after art therapy intervention is statistically significant (p<0.05). The change in anxiety levels after art therapy intervention is not statistically significant (p>0.05). The shift of the drawings is from abstract to specific iconography. The formal motifs of the drawings become more detailed and their type of representation become more varied; the depiction of the objects have become more integrated in the composite space, and the composition become more open; the paintings became more artistic, and the color range became wider. The psycho-emotional state of the subjects in the sessions varied from detachment, withdrawal, hiding, fear of looking at oneself, to opening up, trying to notice and make sense of all one’s own negativity, to manage negative emotions and to project one’s future. Keywords: art therapy, woman suicide, anxiety, depression.
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