作为遗漏的失败:错失的机会和追溯性的审美判断

Elisabeth Schellekens
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引用次数: 0

摘要

在本文中,我区分了不同类型的审美判断的失败,以探索一种形式的失败,包括审美判断的完全遗漏。当一个被注意的对象能够或应当在美学上被体验和判断,但这种体验或判断根本没有产生时,就会出现这种遗漏,这种遗漏至少可以追溯到三种原因:(1)缺乏美学品质;(2)缺乏适当的本体地位;(3)缺乏审美突出性。我将研究这类失败的一些方面,并认为错过了体验一个被关注对象的美学特征的机会,就是错过了接触该对象的美学潜力的机会,尽管这种潜力并不总是对我们开放,但在经验不利的条件下,仍然可以追溯地说,在有意义的意义上属于该对象。这在某种程度上证明了康复的必要性。
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Failure as Omission: Missed Opportunities and Retroactive Aesthetic Judgements
In this paper I distinguish between different kinds of failures of aesthetic judgements with a view to exploring a form of failure that involves the outright omission of aesthetic judgement. Such omissions come to pass when an object of attention could or ought to have been experienced and judged aesthetically but where such an experience or judgement simply failed to arise, and can be traced back to at least three kinds of reason: (1) lack of aesthetic quality; (2) lack of appropriate ontological status; and (3) lack of aesthetic prominence. I shall examine some aspects of this kind of failure and argue that a missed opportunity to experience an object of attention’s aesthetic character is a missed opportunity to engage with that object’s aesthetic potential where such potential, although not always accessible to us, can nonetheless retroactively be said to pertain to the object in a meaningful sense also under experientially unfavourable conditions. This warrants talk of rehabilitation to some degree.
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来源期刊
Estetika : The Central European Journal of Aesthetics
Estetika : The Central European Journal of Aesthetics Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
14
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