为禁忌发声:依休夫、意第绪语电影和希伯来语配音

Edna Nahshon
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引用次数: 0

摘要

摘要:本文主要研究20世纪30年代和40年代在巴勒斯坦托管时期(1920-1948)意第绪语有声电影的强制希伯来语配音。“dub”一词是“double”一词的缩写,指的是用另一种语言代替电影的原始语言的做法,主要(但不完全)用于翻译目的。希伯来语配音是一种实际的妥协,使得意第绪语电影有可能在巴勒斯坦放映,尽管不是用他们的母语。这种安排弥合了伊休夫(Yishuv)的希伯来语领导层对意识形态语言的严格限制,以及普通民众对代表许多人喜爱的文化的电影的渴望之间的差距。强制配音这个话题站在国家语言政策和大众娱乐的交叉点上,展示了完全希伯来化的理想与外语文化产品消费之间的紧张关系。
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Revoicing the Forbidden: The Yishuv, Yiddish Films, and Hebrew Dubbing
Abstract: This essay focuses on the compulsory Hebrew-language dubbing of Yiddish sound films during 1930s and 1940s in Mandatory Palestine (1920–1948). The term “dub” is a shortened version of the word “double” and denotes the practice of supplanting a film’s original language with another, mostly (though not exclusively) for translation purposes. Hebrew dubbing was a practical compromise that made it possible for Yiddish films to be screened in Palestine, albeit not in their original tongue. This was an arrangement that bridged the gap between the rigid ideological language restrictions commanded by the Hebraist leadership of the Yishuv, and the general population’s desire to enjoy films that represented a culture beloved by many. The topic of enforced dubbing, standing at the intersection of national language policy and popular entertainment, showcases the tension between the ideal of total Hebraization and the consumption of foreign-language cultural products.
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0.60
自引率
25.00%
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From a Conception of Territorial Jurisdiction to an Extraterritorial Jurisdiction: Uncovering a Tannaitic Legal Transition A Time to Gather: Archives and the Control of Jewish Culture by Jason Lustig (review) Revoicing the Forbidden: The Yishuv, Yiddish Films, and Hebrew Dubbing Who Will Take upon Himself to Contradict the Shulḥan ‘Arukh? Mourning Suicide as a Case Study of Halakhic Authorities Leading the Process of Halakhic Change The Fruit of Her Hands: Jewish and Christian Women’s Work in Medieval Catalan Cities by Sarah Ifft Decker (review)
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