尼日尔三角洲下级机构和抵抗在奥巴里贡巴的上升的石头和斯蒂芬Kekeghe的隆隆的天空

Imbizo Pub Date : 2023-08-11 DOI:10.25159/2663-6565/12532
Mathias Iroro Orhero
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摘要

本文将“庶民研究集体”中一些学者的理论立场运用到尼日尔三角洲作家诗歌的阅读中。我认为,尼日尔三角洲人民在尼日利亚国家空间中处于次等地位,因为他们处于不利的社会政治地位,以及使该地区任由国家及其代理人摆布的资源冲突。从Ranajit Guha, Dipesh Chakrabarty, Gyan Prakash, Gayatri Chakravorty Spivak和Partha Chatterjee的作品中,我读到了Obari Gomba的《上升的石头》和Stephen Kekeghe的《隆隆的天空》中关于代理和抵抗的底层主题。在采用这一框架时,我借鉴了古哈关于农民叛乱和权力结构的原始理论,以及后来关于关系权力话语和下级代理的理论。我仔细阅读了一些精选的诗歌,揭示了尼日尔三角洲下层人民作为他们自己命运的建筑师的形象,他们的反抗一直困扰着这个国家的主导话语。叛乱、国家及其碎片、失败的革命和关系权力话语等概念被用作解释学策略。我采用这种理论方法恢复了它对少数民族作家文学作品阅读的洞察力。
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Niger Delta Subaltern Agency and Resistance in Obari Gomba’s The Ascent Stone and Stephen Kekeghe’s Rumbling Sky
This article applies the theoretical positions of some scholars from the Subaltern Studies Collective to the reading of poetry by Niger Delta writers. I argue that the Niger Delta people are subaltern in the Nigerian national space due to their disadvantaged sociopolitical position as well as the resource conflict that has left the region at the mercy of the state and its agents. With insights from the writings of Ranajit Guha, Dipesh Chakrabarty, Gyan Prakash, Gayatri Chakravorty Spivak, and Partha Chatterjee, I read the subaltern themes of agency and resistance in Obari Gomba’s The Ascent Stone and Stephen Kekeghe’s Rumbling Sky. In adopting this framework, I draw from Guha’s original theorisation of peasant insurgency and the structure of power as well as later theorisations of relational power discourse and subaltern agency. My close reading of selected poems reveals the figure of the Niger Delta subaltern as the architect of their own destiny and whose resistance haunts the dominant discourse of the nation. The notions of insurgency, the nation and its fragments, failed revolutions, and relational power discourse are deployed as hermeneutical strategies. My adoption of this theoretical approach recovers its insights for the reading of literary works by writers from minority groups.
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