{"title":"1973年赎罪日的牧师和诗人","authors":"Nehama Aschkenasy","doi":"10.1353/sho.2023.a911226","DOIUrl":null,"url":null,"abstract":"Abstract: Avot Yeshurun's poem, \"The Tsaddik of Modzitz,\" highlights the unusual bond between two polar opposite personalities from the 1970s Tel Aviv scene: the secular poet Avot Yeshurun, and the ultraorthodox Rabbi Shmuel Eliyahu Taub, the Rebbe of Modzitz, who transcended his non-Zionist circles, gaining the admiration of Israelis of all walks of life. This relationship reaches a dramatic climax on a cataclysmic day in Israel's history, Yom Kippur 1973, when the surprising outbreak of a war shook Israelis' sense of invincibility and some of their Zionist creeds. At the heart of the poem is the Rebbe's luminous personality and demeanor during the services, and their impact on the poet. In his poetry, Yeshurun had revealed a conflicted personality, unable to reconcile between the vanished old world and the new reality, between the Zionist dream of his youth and the current Israeli geopolitical and ethical dilemmas. The Rebbe represents wholeness, finding in the ancient liturgy about the animals that were led to slaughter in the Temple an opportunity to subtly communicate his grief over the human sacrifices in Jewish recent past as well as at that very moment. The Rebbe's compassionate presence and his stirring niggunim eventually comfort the troubled poet. The Rebbe's words, with which Yeshurun closes his poem, reassure the poet of the validity of the State of Israel and appear to align with the paradigm of religious Zionism, viewing Israel as an essential moment in the Jewish journey toward redemption.","PeriodicalId":21809,"journal":{"name":"Shofar: An Interdisciplinary Journal of Jewish Studies","volume":"181 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Rebbe and the Poet on Yom Kippur 1973\",\"authors\":\"Nehama Aschkenasy\",\"doi\":\"10.1353/sho.2023.a911226\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: Avot Yeshurun's poem, \\\"The Tsaddik of Modzitz,\\\" highlights the unusual bond between two polar opposite personalities from the 1970s Tel Aviv scene: the secular poet Avot Yeshurun, and the ultraorthodox Rabbi Shmuel Eliyahu Taub, the Rebbe of Modzitz, who transcended his non-Zionist circles, gaining the admiration of Israelis of all walks of life. This relationship reaches a dramatic climax on a cataclysmic day in Israel's history, Yom Kippur 1973, when the surprising outbreak of a war shook Israelis' sense of invincibility and some of their Zionist creeds. At the heart of the poem is the Rebbe's luminous personality and demeanor during the services, and their impact on the poet. In his poetry, Yeshurun had revealed a conflicted personality, unable to reconcile between the vanished old world and the new reality, between the Zionist dream of his youth and the current Israeli geopolitical and ethical dilemmas. The Rebbe represents wholeness, finding in the ancient liturgy about the animals that were led to slaughter in the Temple an opportunity to subtly communicate his grief over the human sacrifices in Jewish recent past as well as at that very moment. The Rebbe's compassionate presence and his stirring niggunim eventually comfort the troubled poet. The Rebbe's words, with which Yeshurun closes his poem, reassure the poet of the validity of the State of Israel and appear to align with the paradigm of religious Zionism, viewing Israel as an essential moment in the Jewish journey toward redemption.\",\"PeriodicalId\":21809,\"journal\":{\"name\":\"Shofar: An Interdisciplinary Journal of Jewish Studies\",\"volume\":\"181 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shofar: An Interdisciplinary Journal of Jewish Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sho.2023.a911226\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shofar: An Interdisciplinary Journal of Jewish Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sho.2023.a911226","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:Avot Yeshurun的诗歌《The Tsaddik of Modzitz》突出了20世纪70年代特拉维夫舞台上两个截然相反的人物之间的不寻常的联系:世俗诗人Avot Yeshurun和极端正统的犹太教拉比Shmuel Eliyahu Taub,后者超越了他的非犹太复国主义圈子,赢得了以色列各界的钦佩。这种关系在以色列历史上一个灾难性的日子——1973年赎罪日——达到了戏剧性的高潮,当时一场战争的突然爆发动摇了以色列人的无敌感和他们的一些犹太复国主义信条。这首诗的核心是拉比在服务期间明亮的个性和举止,以及他们对诗人的影响。在他的诗歌中,Yeshurun揭示了一个矛盾的人格,他无法在消失的旧世界和新的现实之间,在他年轻时的犹太复国主义梦想和当前以色列的地缘政治和伦理困境之间调和。拉比代表着整体性,在古代的礼拜仪式中,他找到了在圣殿里被宰杀的动物,这是一个微妙的机会,来表达他对犹太人最近的过去以及当时人类献祭的悲痛。拉比富有同情心的存在和他激动人心的勇气最终安慰了这位陷入困境的诗人。耶舒伦在诗的结尾用了拉比的这句话,这句话让这位诗人对以色列国的有效性感到宽慰,似乎与宗教犹太复国主义的范式保持一致,将以色列视为犹太人走向救赎之旅的重要时刻。
Abstract: Avot Yeshurun's poem, "The Tsaddik of Modzitz," highlights the unusual bond between two polar opposite personalities from the 1970s Tel Aviv scene: the secular poet Avot Yeshurun, and the ultraorthodox Rabbi Shmuel Eliyahu Taub, the Rebbe of Modzitz, who transcended his non-Zionist circles, gaining the admiration of Israelis of all walks of life. This relationship reaches a dramatic climax on a cataclysmic day in Israel's history, Yom Kippur 1973, when the surprising outbreak of a war shook Israelis' sense of invincibility and some of their Zionist creeds. At the heart of the poem is the Rebbe's luminous personality and demeanor during the services, and their impact on the poet. In his poetry, Yeshurun had revealed a conflicted personality, unable to reconcile between the vanished old world and the new reality, between the Zionist dream of his youth and the current Israeli geopolitical and ethical dilemmas. The Rebbe represents wholeness, finding in the ancient liturgy about the animals that were led to slaughter in the Temple an opportunity to subtly communicate his grief over the human sacrifices in Jewish recent past as well as at that very moment. The Rebbe's compassionate presence and his stirring niggunim eventually comfort the troubled poet. The Rebbe's words, with which Yeshurun closes his poem, reassure the poet of the validity of the State of Israel and appear to align with the paradigm of religious Zionism, viewing Israel as an essential moment in the Jewish journey toward redemption.