夏甲在沙漠中的祈祷和在高处的大布拉查:以色列诗歌中反对和分散的声音

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Shofar: An Interdisciplinary Journal of Jewish Studies Pub Date : 2023-01-01 DOI:10.1353/sho.2023.a911224
Galit Hasan-Rokem
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引用次数: 0

摘要

摘要:在一个以集体生存的名义要求意识形态统一的社会中,诗歌表达不同声音的力量。希伯来语的复兴与犹太复国主义的文化政治密切相关。然而,希伯来诗歌不断挑战犹太复国主义政治运动的主流意识形态戒律。这篇文章的重点是阅读女性主义诗人Bracha Serri的诗歌,她于1940年出生在也门的萨那,2013年在耶路撒冷去世。她童年的宗教教育,她的学术研究,以及她在北加州度过的时期,激发了她的诗歌中毫不羞耻和高度原创的女权主义声音。她的宗教习语有力地颠覆了传统犹太宗教中的父权等级制度,创造了一种创新的宗教语言,不仅用传统的神圣语言来称呼神圣的女性形象,而且大胆地打破了性别的界限。最后,它也将诗人自己从性别等级制度和以色列社会种族不公正的压迫地位中提升出来。Serri并不害怕震惊和攻击主流规范。她的诗歌不仅反对军国主义,而且还指出了巴勒斯坦妇女和米兹拉希以色列妇女以及一般妇女的共同利益。在她诗意的语言中,她还令人钦佩地融入了美国黑人斗争的联想。她选择避免在以色列的主要出版社和期刊上发表她的诗歌,而是自己出版她的大部分文学作品,这不仅是一种不同意见的行为,而且通过建立自己的中心来抵制主导权力中心,也构成了一种权力下放的行为。在批判犹太复国主义的声音中,塞里的诗歌是一种特别美丽、动人、有力和重要的声音。
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Hagar's Prayer in the Desert and Great Bracha in the High: A Dissenting and Decentralizing Voice in Israeli Poetry
Abstract: This essay addresses the power of poetry to express dissenting voices in a society that demands ideological unity in the name of collective survival. The revival of Hebrew has been intimately associated with Zionist cultural politics. However, Hebrew poetry has continuously challenged the dominant ideological precepts of the political movements of Zionism. This essay focuses on reading the poetry of Bracha Serri, a feminist poet who was born in Sanaa, Yemen in 1940 and passed away in Jerusalem in 2013. The religious education of her childhood, her academic studies, and the period she spent in Northern California have inspired the unabashed and highly original feminist voice of her poems. Her religious idiom powerfully revolutionizes the patriarchal hierarchies embodied in traditional Jewish religion and produces an innovative religious language which not only addresses a divine female figure in traditional sacred language but also boldly shatters the boundaries of gender. Finally, it also uplifts the poet herself from an oppressed position dictated by gender hierarchy as well as the ethnic injustices characterizing Israeli society. Serri was not afraid to shock and to attack dominant norms. Not only is her poetry antimilitaristic but it also identifies the common interests of Palestinian women and Mizrahi Israeli women, as well as women in general. In her poetic language, she also admiringly incorporates associations from the Black struggle in the United States. Her choice to avoid publishing her poetry at leading Israeli publishing houses and journals and to instead publish most of her literary work by herself was not merely an act of dissent, but also constituted an act of decentralization by establishing a center of her own that resisted the dominant centers of power. Serri's poetry is a particularly beautiful, moving, forceful, and important voice among the voices critically responding to Zionism.
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