{"title":"酷儿频谱性与异语称呼的希望","authors":"Kristin Dickinson","doi":"10.1215/0094033x-10708251","DOIUrl":null,"url":null,"abstract":"This article reads the final moment of Fatma Aydemir’s 2022 novel, Dschinns, as an instance of heterolingual address, which provides an alternative to the progressive logic of assimilation in both Germany and Turkey and the cyclicality of transgenerational trauma. Opening out onto the possibility of a forthcoming counter-address marked by queer spectrality, the novel prompts readers to engage in an open-ended process of community formation by rethinking their own modes of address and the myriad power structures that undergird them.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":"48 2","pages":"0"},"PeriodicalIF":0.4000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Queer Spectrality and the Hope of Heterolingual Address\",\"authors\":\"Kristin Dickinson\",\"doi\":\"10.1215/0094033x-10708251\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reads the final moment of Fatma Aydemir’s 2022 novel, Dschinns, as an instance of heterolingual address, which provides an alternative to the progressive logic of assimilation in both Germany and Turkey and the cyclicality of transgenerational trauma. Opening out onto the possibility of a forthcoming counter-address marked by queer spectrality, the novel prompts readers to engage in an open-ended process of community formation by rethinking their own modes of address and the myriad power structures that undergird them.\",\"PeriodicalId\":46595,\"journal\":{\"name\":\"NEW GERMAN CRITIQUE\",\"volume\":\"48 2\",\"pages\":\"0\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NEW GERMAN CRITIQUE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/0094033x-10708251\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW GERMAN CRITIQUE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0094033x-10708251","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Queer Spectrality and the Hope of Heterolingual Address
This article reads the final moment of Fatma Aydemir’s 2022 novel, Dschinns, as an instance of heterolingual address, which provides an alternative to the progressive logic of assimilation in both Germany and Turkey and the cyclicality of transgenerational trauma. Opening out onto the possibility of a forthcoming counter-address marked by queer spectrality, the novel prompts readers to engage in an open-ended process of community formation by rethinking their own modes of address and the myriad power structures that undergird them.
期刊介绍:
Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.