叙事的社会性:跨文化小说中的自由、脆弱与调解

IF 0.4 3区 文学 0 LITERARY THEORY & CRITICISM NEW GERMAN CRITIQUE Pub Date : 2023-11-01 DOI:10.1215/0094033x-10708279
Özkan Ezli
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引用次数: 0

摘要

从20世纪80年代到2010年代初,跨文化小说的特点往往是质疑偏见的自由主义冲动,将人物从受害者的立场以及文化和身份政治的约束中解放出来。在无数的文学研究中,学者们对这一过程进行了分析,有时还颂扬了这一过程,声称混合演员和多声音叙事已经取代了被动的苦难故事。最近的小说用他们的经验脆弱性和对歧视的感知取代了叙事主体的异质性和自由。本文的中心论点是,这种从自由到脆弱的转变与调解的形象效果的消失密切相关。根据乔治·齐美尔的说法,中介功能的消失首先使面对面的互动具有社会性,它从根本上改变了跨文化叙事情境、遭遇结构,并最终改变了后移民社会的社交形式。对于未来以多元化和跨学科为导向的德国研究,准确把握这一变化,从这些见解中发展出新的跨文化和跨文化理论将是至关重要的。
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The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel
From the 1980s to the early 2010s, intercultural novels were often characterized by a liberal impulse to question prejudices and free characters from victim positions as well as cultural and identity-political constraints. This process has been analyzed and sometimes celebrated by scholars in countless literary studies claiming that hybrid actors and multivoiced narratives have replaced passive tales of suffering. More recent novels replace the heterogeneity and freedom of narrative agents with their experiential vulnerability and perceptions of discrimination. The central thesis of this essay is that this shift from freedom to vulnerability closely correlates with the disappearance of figural effects of mediation. The disappearance of a mediating function, which according to Georg Simmel is what makes face-to-face interaction social in the first place, fundamentally changes the intercultural narrative situation, the structure of encounter, and ultimately the forms of sociability in postmigration society. For the future of diversity-oriented and interdisciplinary research in German studies, it will be crucial to grasp this change precisely to develop new theories of inter- and transculturality from these insights.
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来源期刊
NEW GERMAN CRITIQUE
NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-
CiteScore
0.40
自引率
0.00%
发文量
17
期刊介绍: Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.
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