阿德里安娜·阿尔塔拉斯的《蒂托斯·布里尔》(2011)

IF 0.2 Q3 Social Sciences Feminist German Studies Pub Date : 2023-03-01 DOI:10.1353/fgs.2023.a899995
Lea H. Greenberg
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引用次数: 0

摘要

摘要:本文探讨了阿德里安娜·阿尔塔拉斯的回忆录《提托斯·布里尔》(Titos Brille, 2011;铁托眼镜)。阿尔塔拉斯的作品与她的家庭在二战后克罗地亚和德国之间的创伤有关,并指出了国家记忆政治的平行需求。在达到这个项目的极限的同时,回忆录努力应对保持故事连续性的压力,因为回忆和遗漏的过程一直处于紧张状态。本文将阿尔塔拉斯的作品置于当代德国记忆政治的背景下,然后将阿尔塔拉斯的回忆录与阿斯特丽德·厄尔的旅行记忆概念、玛丽安·赫希的后记忆作品以及犹太民间传说中的dybubuk人物进行对话。女权主义者认识到Altaras在记忆工作中心的独特作用,关注基于性别、宗教和民族关系的不平等,加深了对这一调解过程中个人和政治利害关系的理解。
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Between Remembering and Forgetting in Adriana Altaras's Titos Brille (2011)
Abstract: This article considers how the demands of forgetting collide with the imperative for a coherent familial narrative in Adriana Altaras's memoir Titos Brille (2011; Tito's eyeglasses). Altaras's work engages with her family's post–World War II trauma between Croatia and Germany and points toward the parallel demands of national memory politics. The memoir grapples with the pressures of maintaining a story's continuity while reaching the limits of this project, as processes of recollection and omission are in constant tension. This article contextualizes Altaras's work within contemporary German memory politics and then considers Altaras's memoir in conversation with Astrid Erll's concept of traveling memory , Marianne Hirsch's work on postmemory, and the dybbuk figure of Jewish folklore. A feminist recognition of Altaras's distinctive role at the center of memory work, attentive to inequities based on gender and religious and national affiliation, deepens an understanding of the personal and political stakes of this mediation process.
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
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