不稳定的地面

Anja Novak
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引用次数: 0

摘要

弗莱福兰的建设是荷兰迄今为止最大的土地复垦项目。它在1970年左右完成,同时出现了一种新的后现代艺术形式——大地艺术。在弗莱福兰,大量的空地和对新土地的推广和赋予意义的渴望催生了一批非凡的特定地点的土地艺术作品,这些作品由国际知名艺术家代表当地政府创作。这篇文章揭示了这些土地艺术作品所讲述的关于它们所在的圩田的故事。这些艺术品参考了人造景观的历史,并引起了我们对其品质的关注。但它们也表达了圩田风景所唤起的矛盾情绪。除了乐观的开拓精神和对荷兰水利工程师技能的钦佩之外,这些作品还涉及人类的自负和自然的纯粹力量。他们提醒我们,我们正处于危险的境地。
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Precarious ground
The construction of Flevoland is the largest land reclamation project in the Netherlands to date. Its completion around 1970 coincided with the emergence of a new postmodern art form, Land art. In Flevoland, the abundance of empty space and the desire to promote and give meaning to the new land gave rise to a remarkable collection of site-specific Land art pieces, created by internationally renowned artists on behalf of local governments. This essay unravels the stories these Land art pieces tell about the polders in which they are located. The artworks refer to the history of the man-made landscape and draw our attention to its qualities. But they also express the ambivalent feelings that polder landscapes evoke. In addition to an optimistic pioneering spirit and admiration for the skills of the Dutch hydraulic engineers, the works are also about human conceit and the sheer power of nature. They remind us that we are on precarious ground.
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CiteScore
0.10
自引率
50.00%
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0
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Without Nature Preliminary Material Co-created by the Wadden Sea Mapping the wet land Precarious ground
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