老鼠揭示了中世纪晚期日本的烹饪

Eric C. Rath
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摘要

《老鼠的故事画卷》(Nezumi no sōshi emaki)是一幅创作于1550年至1650年间的匿名日本画卷,描绘了一只老鼠的婚宴。在一个几乎没有其他烹饪视觉参考的时期,这幅画卷是了解精英战士家庭准备食物的人员和程序的重要来源,它模仿了这些家庭。鼠王的婚礼从中世纪晚期(1400-1600年)军阀的庆祝活动中获得灵感,其中包括当时伟大表演者和文化影响者的啮齿动物。分析揭示了中世纪晚期(啮齿动物)战士家庭中食物准备工作的性别分工和地位,男性厨师负责调味和雕刻,处于厨房等级的顶部,女性仆人在外面从事体力劳动,处于底部。对于老鼠和人类来说,这幅画卷进一步证明了食物在代表权威方面发挥了强大的作用。
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What Rats Reveal about Cooking in Late Medieval Japan
The Illustrated Rat’s Tale (Nezumi no sōshi emaki), an anonymous Japanese picture scroll created between 1550–1650, depicts a rat wedding banquet, and for a period with few other visual references of cooking, it is an important source for understanding the staff and procedures for food preparation in elite warrior households, which it emulates. The wedding party of the rat lord takes inspiration from the festivities for late medieval (1400–1600) warlords, and it includes rodent equivalents of the great performers and cultural influencers of the age. Analysis reveals the gendered division of labor and status in the duties of food preparation in a late medieval (rodent) warrior household with male chefs in charge of flavoring and carving at the top of the kitchen hierarchy and female servants performing manual labor outside at the bottom. For both rats and humans, the picture scroll further demonstrates that food played a powerful role in the representation of authority.
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