20 世纪 30 年代利沃夫的乌克兰电影运动

Pub Date : 2023-10-20 DOI:10.14746/i.2023.34.43.10
Barbara Lena Gierszewska
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 Title of the article: The Ukrainian film movement in 1930s Lviv The Ukrainian film movement in the 1930s was not developed on a wider scale. Due to the cost of the equipment and the film, few people could make films. Those who did included the members of the Ukrainian Photographic Society, who had completed specialist film courses. Their achievements included short feature films and documentary films, some of which were of true artistic merit. From the circle of Ukrainian cinematographers, J. Dorosz, S. Kułykiwna, W. Humecki and J. Bochenski deserve mention special. Moreover, the last two film-makers wrote about the necessity of recording Ukrainian cultural heritage; they expressed the need for patriotic, socially useful films. At that time, Ukrainian film criticism also developed in Lviv, In particular, it found expression in two outstanding periodicals published in the Ukrainian language, “Cinema” (1930–1936) and “Light and Shadow” (1933–1939).
 
 
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引用次数: 0

摘要

& # x0D;& # x0D;& # x0D;文章标题:20世纪30年代的乌克兰电影运动利沃夫20世纪30年代的乌克兰电影运动没有得到更广泛的发展。由于设备和胶片的成本,很少有人能拍电影。这些人包括乌克兰摄影协会的成员,他们完成了专门的电影课程。他们的成就包括短故事片和纪录片,其中一些具有真正的艺术价值。在乌克兰电影摄影师圈中,特别值得一提的有J. Dorosz、S. Kułykiwna、W. Humecki和J. Bochenski。此外,最后两位电影制作人写到了记录乌克兰文化遗产的必要性;他们表示需要爱国的、对社会有益的电影。当时,乌克兰影评也在利沃夫发展起来,特别是在乌克兰语出版的两本杰出期刊《电影》(1930-1936)和《光与影》(1933-1939)中得到了表达。& # x0D;& # x0D;
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Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku
Title of the article: The Ukrainian film movement in 1930s Lviv The Ukrainian film movement in the 1930s was not developed on a wider scale. Due to the cost of the equipment and the film, few people could make films. Those who did included the members of the Ukrainian Photographic Society, who had completed specialist film courses. Their achievements included short feature films and documentary films, some of which were of true artistic merit. From the circle of Ukrainian cinematographers, J. Dorosz, S. Kułykiwna, W. Humecki and J. Bochenski deserve mention special. Moreover, the last two film-makers wrote about the necessity of recording Ukrainian cultural heritage; they expressed the need for patriotic, socially useful films. At that time, Ukrainian film criticism also developed in Lviv, In particular, it found expression in two outstanding periodicals published in the Ukrainian language, “Cinema” (1930–1936) and “Light and Shadow” (1933–1939).
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