The Design Expression of the “Simplicity” Aesthetics of the Late Ming Dynasty in China Style Fashion Designs

This thesis takes the aesthetics of “simplicity” as the breakthrough point, explores its cultural con-notations in relation to contemporary China style fashion design, and further enriches the diversity of Chinese aesthetics. By exploring the form of artistic evolution of “simplicity” in the late Ming Dy-nasty, analyzing the expression of “ancient”, “raw” and “childish” in painting and calligraphy, and combining the explicit and implicit associations expressed by the emerging fashion design, this ar-*