《牛津启示录手册》克雷格·r·科斯特编辑

IF 0.2 3区 哲学 0 RELIGION CATHOLIC BIBLICAL QUARTERLY Pub Date : 2023-04-01 DOI:10.1353/cbq.2023.0067
Scott D. Mackie
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He believes divine identity and theodicy are the central questions motivating Revelation; thus, \"Who is the Lord of the world?\" and \"Why would the sovereign God allow injustice to occur?\" (p. 11). Literary features are treated in the first section, beginning with Mitchell G. Reddish's \"The Genre of the Book of Revelation\" (pp. 21–35), which prioritizes apocalypse over prophecy and letter, and \"Narrative Features of the Book of Revelation,\" by James L. Resseguie (pp. 37–52), who characterizes Revelation's \"masterplot\" as a \"quest story of the people of God in search of a new promised land, the new Jerusalem\" (p. 48). The evocative imagery of Revelation is unmatched in the NT, and Konrad Huber (\"Imagery in the Book of Revelation,\" pp. 53–67) believes its many verbal pictures, symbols, and metaphors were designed to appeal persuasively to the visual imaginations of its hearers. In \"Rhetorical Features of the Book of Revelation\" (pp. 69–83), David A. deSilva describes Revelation as an \"apocalypse\" that \"unveils\" and interprets \"facets of the lived experience of its audiences, 'revealing' the spiritual dimensions\" and \"'true' nature of … those facets of their situation\" (p. 70). Moreover, the rhetoric of Revelation strategically enlists authoritative voices (the Spirit, Jesus, angels, God, and other \"supernatural beings\" [p. 72]) and appeals to the intellect as well as the emotions (awe, shame, fear, and confidence). The OT also constitutes an important authoritative voice, and Steve Moyise's essay, \"The Old Testament in the Book of Revelation\" (pp. 85–100), identifies the scriptural symbols and vocabulary with which the author expresses his visionary rhetoric. The section concludes with David L. Mathewson, \"Revelation's Use of the Greek Language\" (pp. 101–14), and Justin P. Jeffcoat Schedtler, \"The Hymns in Revelation\" (pp. 115–30). The next section, \"Social Setting,\" begins with Warren Carter, \"Revelation and Roman Rule in First-Century Asia Minor\" (pp. 133–51); Carter endorses a growing consensus that the biblical author has exaggerated imperial persecution and societal threats in order to heighten resistance to cultural assimilation and accommodation. In response to both real and perceived threats, Mikael Tellbe (\"Relationships among Christ-Believers and Jewish Communities in First-Century Asia Minor,\" pp. 153–67) finds Revelation radically redefining God's people, with Christ-followers solely representing the true people of God. Richard S. Ascough (\"Greco-Roman Religions and the Context of the Book of Revelation,\" pp. 169–83) [End Page 371] similarly thinks that Revelation amplified perceived threats and defined identity in sharp opposition to the \"other.\" All rival religious practice is vilified in the process and characterized as either \"feasting or fornication\" (p. 170). The same issues are raised in connection with varying (and perhaps competing) forms of early Christian belief and practice, and Paul Trebilco (\"John's Apocalypse in Relation to Johannine, Pauline, and Other Forms of Christianity in Asia Minor,\" pp. 185–201]) again finds Revelation drawing sharp, exclusionary boundaries around the addressed communities, particularly with regard to food offered to idols. The third section, \"Theology and Ethics,\" opens with Martin Karrer, \"God in the Book of Revelation\" (pp. 205–22). Concerning the \"Alpha and Omega\" inclusio in 1:8 and 21:6, Karrer interestingly notes, \"Since the letters [Α and Ω] were used to form words and numerals,\" the author implies \"that every human thought, every communication, every reflection, and every numeric calculation involves God's presence\" (p. 213). Loren L. Johns (\"Jesus in the Book of Revelation,\" pp. 223–39) discusses the author's high christology, evidenced in the numerous titles and roles...","PeriodicalId":45718,"journal":{"name":"CATHOLIC BIBLICAL QUARTERLY","volume":"473 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"11","resultStr":"{\"title\":\"The Oxford Handbook of the Book of Revelation ed. by Craig R. Koester\",\"authors\":\"Scott D. Mackie\",\"doi\":\"10.1353/cbq.2023.0067\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Reviewed by: The Oxford Handbook of the Book of Revelation ed. by Craig R. Koester Scott D. Mackie craig r. koester (ed.), The Oxford Handbook of the Book of Revelation (Oxford: Oxford University Press, 2020). Pp. xxi + 525. $150. Composed of thirty essays, this handbook provides an excellent introduction to the most important scholarly trends that have shaped discussion of Revelation in the past twenty to thirty years. The editor, Craig R. Koester, puts the volume on fine footing with his \\\"Introduction to Revelation's Social Setting, Theological Perspective, and Literary Design\\\" (pp. 1–17), which briefly considers a variety of interpretive issues and summarizes the six vision cycles that structure Revelation. He believes divine identity and theodicy are the central questions motivating Revelation; thus, \\\"Who is the Lord of the world?\\\" and \\\"Why would the sovereign God allow injustice to occur?\\\" (p. 11). Literary features are treated in the first section, beginning with Mitchell G. Reddish's \\\"The Genre of the Book of Revelation\\\" (pp. 21–35), which prioritizes apocalypse over prophecy and letter, and \\\"Narrative Features of the Book of Revelation,\\\" by James L. Resseguie (pp. 37–52), who characterizes Revelation's \\\"masterplot\\\" as a \\\"quest story of the people of God in search of a new promised land, the new Jerusalem\\\" (p. 48). The evocative imagery of Revelation is unmatched in the NT, and Konrad Huber (\\\"Imagery in the Book of Revelation,\\\" pp. 53–67) believes its many verbal pictures, symbols, and metaphors were designed to appeal persuasively to the visual imaginations of its hearers. In \\\"Rhetorical Features of the Book of Revelation\\\" (pp. 69–83), David A. deSilva describes Revelation as an \\\"apocalypse\\\" that \\\"unveils\\\" and interprets \\\"facets of the lived experience of its audiences, 'revealing' the spiritual dimensions\\\" and \\\"'true' nature of … those facets of their situation\\\" (p. 70). Moreover, the rhetoric of Revelation strategically enlists authoritative voices (the Spirit, Jesus, angels, God, and other \\\"supernatural beings\\\" [p. 72]) and appeals to the intellect as well as the emotions (awe, shame, fear, and confidence). The OT also constitutes an important authoritative voice, and Steve Moyise's essay, \\\"The Old Testament in the Book of Revelation\\\" (pp. 85–100), identifies the scriptural symbols and vocabulary with which the author expresses his visionary rhetoric. The section concludes with David L. Mathewson, \\\"Revelation's Use of the Greek Language\\\" (pp. 101–14), and Justin P. Jeffcoat Schedtler, \\\"The Hymns in Revelation\\\" (pp. 115–30). The next section, \\\"Social Setting,\\\" begins with Warren Carter, \\\"Revelation and Roman Rule in First-Century Asia Minor\\\" (pp. 133–51); Carter endorses a growing consensus that the biblical author has exaggerated imperial persecution and societal threats in order to heighten resistance to cultural assimilation and accommodation. In response to both real and perceived threats, Mikael Tellbe (\\\"Relationships among Christ-Believers and Jewish Communities in First-Century Asia Minor,\\\" pp. 153–67) finds Revelation radically redefining God's people, with Christ-followers solely representing the true people of God. Richard S. Ascough (\\\"Greco-Roman Religions and the Context of the Book of Revelation,\\\" pp. 169–83) [End Page 371] similarly thinks that Revelation amplified perceived threats and defined identity in sharp opposition to the \\\"other.\\\" All rival religious practice is vilified in the process and characterized as either \\\"feasting or fornication\\\" (p. 170). 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引用次数: 11

摘要

由:《启示录牛津手册》编辑克雷格R.科斯特斯科特D.麦基克雷格R.科斯特(编辑),《启示录牛津手册》(牛津:牛津大学出版社,2020)。第21页+ 525页。150美元。由三十篇文章组成,这本手册提供了一个很好的介绍,最重要的学术趋势,已经形成了讨论的启示在过去的二三十年。编辑克雷格·r·科斯特(Craig R. Koester)在他的“启示录的社会背景、神学视角和文学设计导论”(第1-17页)中为这本书奠定了良好的基础,该书简要地考虑了各种解释问题,并总结了构成启示录的六个异象周期。他相信神的身份和神正论是激发《启示录》的核心问题;因此,“谁是世界的主?”和“至高无上的上帝为什么会允许不公正的事情发生?”(11页)。第一部分讨论文学特征,首先是米切尔·g·雷迪什的《启示录的体裁》(第21-35页),它优先考虑启示录,而不是预言和信件,以及詹姆斯·l·雷塞吉的《启示录的叙事特征》(第37-52页),他将启示录的“主要情节”描述为“上帝的子民寻找新的应许之地,新的耶路撒冷的探索故事”(第48页)。《启示录》中令人回味的意象在新约中是无与伦比的,康拉德·胡贝尔(“启示录中的意象”53-67页)认为,它的许多口头图片、符号和隐喻都是为了吸引听众的视觉想象力而设计的。在“启示录的修辞特征”(第69-83页)中,David A. deSilva将启示录描述为“揭示”和解释“其受众生活经验的各个方面,‘揭示’精神层面”和“他们处境的这些方面的‘真实’本质”(第70页)的“启示录”。此外,《启示录》的修辞在策略上利用了权威的声音(圣灵、耶稣、天使、上帝和其他“超自然的存在”)。[72]),并诉诸于理智和情感(敬畏、羞耻、恐惧和自信)。旧约也构成了一个重要的权威声音,Steve Moyise的文章,“启示录中的旧约”(第85-100页),确定了圣经的符号和词汇,作者用这些符号和词汇表达了他的幻想修辞。这部分以大卫·l·马修森的《启示录对希腊语的使用》(第101-14页)和贾斯汀·p·杰弗里特·施德勒的《启示录中的赞美诗》(第115-30页)结束。下一部分“社会背景”以沃伦·卡特的《一世纪小亚细亚的启示录和罗马统治》(第133-51页)开篇;卡特赞同一种日益增长的共识,即圣经作者夸大了帝国迫害和社会威胁,以加强对文化同化和适应的抵制。Mikael Tellbe(“第一世纪小亚细亚基督徒和犹太社区的关系”,第153-67页)发现启示录从根本重新定义了神的子民,只有基督的追随者才代表神的真正子民。Richard S. Ascough(“希腊罗马宗教和启示录的背景”,第169-83页)[End Page 371]同样认为,启示录放大了感知到的威胁,并在与“他者”的尖锐对立中定义了身份。在这个过程中,所有敌对的宗教活动都被诋毁,并被定性为“盛宴或淫乱”(第170页)。同样的问题也与早期基督教信仰和实践的不同形式(也许是相互竞争的)有关,保罗·特雷比尔科(Paul Trebilco)(《约翰的启示录与小亚细亚的约翰、保罗和其他形式的基督教的关系》,第185-201页)再次发现,启示录在所涉及的社区周围划出了尖锐的、排他性的界限,特别是关于祭祀偶像的食物。第三部分“神学与伦理”以马丁·卡雷尔的《启示录中的上帝》(第205-22页)开篇。关于1:8和21:6中包含的“阿尔法和欧米茄”,Karrer有趣地指出,“因为字母[Α和Ω]被用来构成单词和数字,”作者暗示“每一个人类的思想,每一次交流,每一次反思,每一次数字计算都涉及上帝的存在”(第213页)。洛伦·l·约翰斯(《启示录中的耶稣》,223-39页)讨论了作者的高度基督论,这在众多的标题和角色中得到了证明……
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The Oxford Handbook of the Book of Revelation ed. by Craig R. Koester
Reviewed by: The Oxford Handbook of the Book of Revelation ed. by Craig R. Koester Scott D. Mackie craig r. koester (ed.), The Oxford Handbook of the Book of Revelation (Oxford: Oxford University Press, 2020). Pp. xxi + 525. $150. Composed of thirty essays, this handbook provides an excellent introduction to the most important scholarly trends that have shaped discussion of Revelation in the past twenty to thirty years. The editor, Craig R. Koester, puts the volume on fine footing with his "Introduction to Revelation's Social Setting, Theological Perspective, and Literary Design" (pp. 1–17), which briefly considers a variety of interpretive issues and summarizes the six vision cycles that structure Revelation. He believes divine identity and theodicy are the central questions motivating Revelation; thus, "Who is the Lord of the world?" and "Why would the sovereign God allow injustice to occur?" (p. 11). Literary features are treated in the first section, beginning with Mitchell G. Reddish's "The Genre of the Book of Revelation" (pp. 21–35), which prioritizes apocalypse over prophecy and letter, and "Narrative Features of the Book of Revelation," by James L. Resseguie (pp. 37–52), who characterizes Revelation's "masterplot" as a "quest story of the people of God in search of a new promised land, the new Jerusalem" (p. 48). The evocative imagery of Revelation is unmatched in the NT, and Konrad Huber ("Imagery in the Book of Revelation," pp. 53–67) believes its many verbal pictures, symbols, and metaphors were designed to appeal persuasively to the visual imaginations of its hearers. In "Rhetorical Features of the Book of Revelation" (pp. 69–83), David A. deSilva describes Revelation as an "apocalypse" that "unveils" and interprets "facets of the lived experience of its audiences, 'revealing' the spiritual dimensions" and "'true' nature of … those facets of their situation" (p. 70). Moreover, the rhetoric of Revelation strategically enlists authoritative voices (the Spirit, Jesus, angels, God, and other "supernatural beings" [p. 72]) and appeals to the intellect as well as the emotions (awe, shame, fear, and confidence). The OT also constitutes an important authoritative voice, and Steve Moyise's essay, "The Old Testament in the Book of Revelation" (pp. 85–100), identifies the scriptural symbols and vocabulary with which the author expresses his visionary rhetoric. The section concludes with David L. Mathewson, "Revelation's Use of the Greek Language" (pp. 101–14), and Justin P. Jeffcoat Schedtler, "The Hymns in Revelation" (pp. 115–30). The next section, "Social Setting," begins with Warren Carter, "Revelation and Roman Rule in First-Century Asia Minor" (pp. 133–51); Carter endorses a growing consensus that the biblical author has exaggerated imperial persecution and societal threats in order to heighten resistance to cultural assimilation and accommodation. In response to both real and perceived threats, Mikael Tellbe ("Relationships among Christ-Believers and Jewish Communities in First-Century Asia Minor," pp. 153–67) finds Revelation radically redefining God's people, with Christ-followers solely representing the true people of God. Richard S. Ascough ("Greco-Roman Religions and the Context of the Book of Revelation," pp. 169–83) [End Page 371] similarly thinks that Revelation amplified perceived threats and defined identity in sharp opposition to the "other." All rival religious practice is vilified in the process and characterized as either "feasting or fornication" (p. 170). The same issues are raised in connection with varying (and perhaps competing) forms of early Christian belief and practice, and Paul Trebilco ("John's Apocalypse in Relation to Johannine, Pauline, and Other Forms of Christianity in Asia Minor," pp. 185–201]) again finds Revelation drawing sharp, exclusionary boundaries around the addressed communities, particularly with regard to food offered to idols. The third section, "Theology and Ethics," opens with Martin Karrer, "God in the Book of Revelation" (pp. 205–22). Concerning the "Alpha and Omega" inclusio in 1:8 and 21:6, Karrer interestingly notes, "Since the letters [Α and Ω] were used to form words and numerals," the author implies "that every human thought, every communication, every reflection, and every numeric calculation involves God's presence" (p. 213). Loren L. Johns ("Jesus in the Book of Revelation," pp. 223–39) discusses the author's high christology, evidenced in the numerous titles and roles...
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