蒙太奇/不安的思考:采访阮trinh Thi

Q2 Arts and Humanities Quarterly Review of Film and Video Pub Date : 2023-11-06 DOI:10.1080/10509208.2023.2276017
Shweta Kishore
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摘要

注1 2009年,Nguyen在河内创立了Doclab,这是越南主要的电影制作和实验媒体集体,在十多年的时间里培养了越南的电影制作人和媒体艺术家。Doclab的批判性教学法由Nguyen设计,让学生接触到国际电影经典和访问电影制作人,包括Harun Farocki(2013)和Ulli Gaulke(2014),以及严格的实践制作培训,重点是艺术声音和反思。shweta Kishore在RMIT(皇家墨尔本理工学院)大学讲授屏幕和媒体。主要研究方向为印度纪录片、纪录片伦理、女性主义电影、纪录片实践、共同建构纪录片、电影节等。她是《印度纪录片和电影制作人:实践中的独立》(2018年,爱丁堡大学出版社)的作者。她的研究成果发表在《暗箱》、《女性主义媒体研究》、《纪录片研究》和《电影的感觉》等杂志上。基肖尔是一位纪录片从业者,并于2019年在印度高知木兹里斯双年展上策划了“艺术家电影:来自越南的纪录片”。
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Montage for/as Unsettling Thinking: An Interview With Nguyen Trinh Thi
Click to increase image sizeClick to decrease image size Notes1 In 2009, Nguyen founded Hanoi based Doclab, Vietnam’s major filmmaking and experimental media collective which nurtured Vietnamese filmmakers and media artists for over a decade. Doclab’s critical pedagogy devised by Nguyen, exposed students to international cinema classics and visiting filmmakers including Harun Farocki (2013) and Ulli Gaulke (2014) and rigorous hands-on production training focused on artistic voice and reflection.Additional informationNotes on contributorsShweta KishoreShweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. Her research focuses on Indian documentary, documentary ethics, feminist film, documentary film practice, co-constructed documentary, and film festivals. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice (2018, Edinburgh University Press). Her research has appeared in Camera Obscura, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. Kishore is a documentary practitioner and in 2019 curated Artist Cinema: Documentary from Vietnam at the Kochi Muziris Biennale, India.
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来源期刊
Quarterly Review of Film and Video
Quarterly Review of Film and Video Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
70
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