{"title":"狄更斯的清单","authors":"Dominic Rainsford","doi":"10.1353/dqt.2023.0011","DOIUrl":null,"url":null,"abstract":"The Dickens Checklist Dominic Rainsford The Dickens Checklist, recording new publications, doctoral dissertations, and online ressources of significance for Dickens studies, appears in each issue of the journal. A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at dickenssociety.org, and is updated once a year. _______ Secondary Sources: Biography and Criticism Celeste, Mark. “Visualizing Mutuality: Teaching / Networks in Our Mutual Friend.” Victorians Institute Journal, vol. 49, 2022, pp. 166–97. Chelebourg, Christian. “Scrooge en famille: lecture socialisée d’un rite fictionnel.” Noël entre magie blanche et magie noire, edited by Christian Chelebourg, Lettres Modernes Minard, 2022, pp. 121–37. Revue des lettres modernes: Écritures jeunesse: 4. [CC ] Dick, Archie. Reading Spaces in South Africa, 1850–1920s. Cambridge UP, 2020. Elements in Publishing and Book Culture. [Ch. 3: “Dickens on the Page, the Podium, and the Stage”] Dickens Quarterly, vol. 40, no. 1, Mar. 2023. [Dominic Rainsford, “From the Editor,” pp. 5–7; Benjamin O’Dell, “David Copperfield, Émile, and the Legacy of Enlightenment Education Literature,” pp. 8–27; James Armstrong, “‘In a Dark Wig’: Reinventing Byron as Steerforth in David Copperfield,” pp. 28–44; Kathryne Ford, “Dickensian Divisions: David Copperfield’s ‘Hero[ine] of my own life,’” pp. 45–63; Lanya Lamouria, “Charles Dickens, Charles Babbage, Richard Babley: Material Memory in David Copperfield,” pp. 64–82; Jeremy Parrott, “Electrical Undercurrents in David Copperfield,” pp. 83–107; Robert Sirabian, review of The Lawyer in Dickens, by Franziska Quabeck, pp. 108–12; Michelle Allen-Emerson, review of Bite the Hand that Reads: Dickens, Animals, and Sanitary Reform, by Terry Scarborough, pp. 112–16; Tamara S. Wagner, review of The Tramp in British Literature, 1850–1950, by Luke Lewin Davies, and Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture, by Alistair Robinson, pp. 116–21; Dominic Rainsford, “The Dickens Checklist,” pp. 127–30] Dickens Studies Annual, vol. 54, no. 1, 2023. [Introduction, pp. v–vii; James Armstrong, “Rejecting ‘Nature’ in Martin Chuzzlewit: Racism, Slavery, and Death in Eden,” pp. 1–13; Jane E. Kim, “Watching the Detectives: The Reciprocal Gaze in Our Mutual Friend,” pp. 14–34; Laura White, “Insects, Age, and Failure: The Suppressed Chapter of ‘The Wasp in a Wig,’” pp. 35–50; James Hamby, “‘Let us veil our meaning’: Holiday Romance and the Second Reform Act of 1867,” pp. 51–73; Melissa Jenkins, “Whither, Hardy?: Selected Hardy Studies 2010–2022,” pp. 74–83; Richard A. Kaye, “Twenty-First-Century Oscar Wilde: A Review Essay,” pp. 84–119.] The Dickensian, vol. 118, part 3, no. 516, Winter 2022. [Catherine Waters, “From the New President,” pp. 253–56; William F. Long, “Dickens, Ainsworth and Turpin’s Gyves,” pp. 258–68; Renata Goroshkova, “A Tale of Two Magazines: Dickens on the Pages of Contemporary and Fatherland Notes,” pp. 269–80; Abderrezzaq Ghafsi, “Emir Abdelkader in Charles Dickens’s Journals,” pp. 281–90; Robert C. Hanna, “Joseph M. Field, International Copyright, and a Masque for Boz,” pp. 291–308; Don Richard Cox, “The Charles Collins Letter: Some Additional Mysteries,” pp. 309–18; Brian Ruck, “Illegitimacy in Dickens, and the Riddle of Ellen Ternan,” pp. 319–32; Iain Crawford, review of Dickens and Democracy in the Age of Paper: Representing the People, by Carolyn Vellenga Berman, pp. 334–37; Helena Kelly, review of Down from London: Seaside Reading in the Railway Age, by Carolyn W. de la L. Oulton, pp. 337–39; Francesca Orestano, review of A Sweet View: The Making of an English Idyll, by Malcolm Andrews, pp. 339–42; Boze Herrington, review of England in the Age of Dickens: 1812–1870, by Jeremy Black, pp. 343–44; Sydney Wren, review of Dickens and Staplehurst: A Biography of a Rail Crash, by Gerald Dickens, pp. 345–47; Lucy Whitehead, review of This Much Is True, by Miriam Margolyes, pp. 347–49; Maria Juko, review of Dear Mr. Dickens, by Nancy Churnin and Bethany Stancliffe, pp. 349–51; Philipp Röttgers, review of A Christmas Carol (music album), by Majestica, pp. 352–53; Paul Graham, review of Frederic Kitton and St Albans: From Pickwick to Preservation (exhibition), pp. 354–55; “Fellowship Notes and News...","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Dickens Checklist\",\"authors\":\"Dominic Rainsford\",\"doi\":\"10.1353/dqt.2023.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Dickens Checklist Dominic Rainsford The Dickens Checklist, recording new publications, doctoral dissertations, and online ressources of significance for Dickens studies, appears in each issue of the journal. A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at dickenssociety.org, and is updated once a year. _______ Secondary Sources: Biography and Criticism Celeste, Mark. “Visualizing Mutuality: Teaching / Networks in Our Mutual Friend.” Victorians Institute Journal, vol. 49, 2022, pp. 166–97. Chelebourg, Christian. “Scrooge en famille: lecture socialisée d’un rite fictionnel.” Noël entre magie blanche et magie noire, edited by Christian Chelebourg, Lettres Modernes Minard, 2022, pp. 121–37. Revue des lettres modernes: Écritures jeunesse: 4. [CC ] Dick, Archie. Reading Spaces in South Africa, 1850–1920s. Cambridge UP, 2020. Elements in Publishing and Book Culture. [Ch. 3: “Dickens on the Page, the Podium, and the Stage”] Dickens Quarterly, vol. 40, no. 1, Mar. 2023. [Dominic Rainsford, “From the Editor,” pp. 5–7; Benjamin O’Dell, “David Copperfield, Émile, and the Legacy of Enlightenment Education Literature,” pp. 8–27; James Armstrong, “‘In a Dark Wig’: Reinventing Byron as Steerforth in David Copperfield,” pp. 28–44; Kathryne Ford, “Dickensian Divisions: David Copperfield’s ‘Hero[ine] of my own life,’” pp. 45–63; Lanya Lamouria, “Charles Dickens, Charles Babbage, Richard Babley: Material Memory in David Copperfield,” pp. 64–82; Jeremy Parrott, “Electrical Undercurrents in David Copperfield,” pp. 83–107; Robert Sirabian, review of The Lawyer in Dickens, by Franziska Quabeck, pp. 108–12; Michelle Allen-Emerson, review of Bite the Hand that Reads: Dickens, Animals, and Sanitary Reform, by Terry Scarborough, pp. 112–16; Tamara S. Wagner, review of The Tramp in British Literature, 1850–1950, by Luke Lewin Davies, and Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture, by Alistair Robinson, pp. 116–21; Dominic Rainsford, “The Dickens Checklist,” pp. 127–30] Dickens Studies Annual, vol. 54, no. 1, 2023. [Introduction, pp. v–vii; James Armstrong, “Rejecting ‘Nature’ in Martin Chuzzlewit: Racism, Slavery, and Death in Eden,” pp. 1–13; Jane E. Kim, “Watching the Detectives: The Reciprocal Gaze in Our Mutual Friend,” pp. 14–34; Laura White, “Insects, Age, and Failure: The Suppressed Chapter of ‘The Wasp in a Wig,’” pp. 35–50; James Hamby, “‘Let us veil our meaning’: Holiday Romance and the Second Reform Act of 1867,” pp. 51–73; Melissa Jenkins, “Whither, Hardy?: Selected Hardy Studies 2010–2022,” pp. 74–83; Richard A. Kaye, “Twenty-First-Century Oscar Wilde: A Review Essay,” pp. 84–119.] The Dickensian, vol. 118, part 3, no. 516, Winter 2022. 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引用次数: 0
摘要
《狄更斯清单》记录了对狄更斯研究有重要意义的新出版物、博士论文和在线资源,每期都出现在该杂志上。清单的累积交叉参考版本,包括自第37卷以来的清单。1(2020年3月),可在dickenssociety.org上查阅,每年更新一次。_______次要资料来源:传记和批评Celeste, Mark。“可视化相互关系:在我们共同的朋友中教学/网络。”《维多利亚学院学报》,第49卷,2022年,第166-97页。Chelebourg,基督徒。"家族中的斯克鲁奇:社会主义的变革,不是虚构的"Noël白色魔法师与黑色魔法师中心,克里斯蒂安·谢勒堡编辑,《现代文学》,2022年,第121-37页。现代文学评论:Écritures青年:4。[CC]迪克,阿奇。南非的阅读空间,1850 - 1920。剑桥大学,2020年。出版与图书文化的要素。[第3章:“在纸上、讲台上和舞台上的狄更斯”]《狄更斯季刊》,第40卷,第2期。2023年3月1日。[Dominic Rainsford,“来自编辑”,第5-7页;本杰明·奥戴尔,《大卫·科波菲尔Émile与启蒙教育文学遗产》,第8-27页;詹姆斯·阿姆斯特朗,《戴着黑假发:在《大卫·科波菲尔》中将拜伦重塑为斯蒂福兹》,第28-44页;凯瑟琳·福特,《狄更斯式的划分:大卫·科波菲尔的“我自己生命中的英雄”》,第45-63页;Lanya Lamouria,“查尔斯·狄更斯,查尔斯·巴贝奇,理查德·巴伯利:大卫·科波菲尔的物质记忆”,第64-82页;杰里米·帕罗特,《大卫·科波菲尔的电流暗流》,第83-107页;罗伯特·西拉宾,《狄更斯笔下的律师》书评,弗兰兹斯卡·奎贝克著,第108-12页;米歇尔·艾伦-爱默生,《咬手读:狄更斯、动物和卫生改革》书评,特里·斯卡伯勒著,第112-16页;塔玛拉·s·瓦格纳,对卢克·卢因·戴维斯的《英国文学中的流浪者》(1850-1950)和阿利斯泰尔·罗宾逊的《维多利亚时代的流浪者:19世纪文学和文化中流浪穷人的代表》(116-21页)的评论;多米尼克·雷恩斯福德,《狄更斯的清单》,第127-30页。1, 2023。[导言,第5至7页;詹姆斯·阿姆斯特朗,《在马丁·丘兹莱维特中拒绝“自然”:伊甸园中的种族主义、奴隶制和死亡》,第1-13页;简·e·金,《观看侦探:我们共同朋友的相互凝视》,第14-34页;劳拉·怀特,《昆虫、年龄与失败:《戴假发的黄蜂》中被压抑的一章》,第35-50页;詹姆斯·汉比,“让我们掩盖我们的意义”:假日浪漫和1867年的第二次改革法案,第51-73页;梅丽莎·詹金斯《哈迪,去哪儿?》:《哈代研究选集2010-2022》,第74-83页;理查德·A·凯,<二十一世纪奥斯卡·王尔德:一篇评论文章>,第84-119页。狄更斯,第118卷,第3部分。516,冬季2022。[凯瑟琳·沃特斯,《来自新总统》,第253-56页;威廉·f·朗,《狄更斯、安斯沃思和特平的小说》,第258-68页;Renata Goroshkova,《两本杂志的故事:当代与祖国笔记中的狄更斯》,第269-80页;Abderrezzaq Ghafsi,《查尔斯·狄更斯日记中的埃米尔·阿卜杜勒卡迪尔》,第281-90页;Robert C. Hanna,“Joseph M. Field,国际版权和Boz的面具”,第291-308页;唐·理查德·考克斯,《查尔斯·柯林斯的信:一些额外的谜团》,第309-18页;Brian Ruck,“狄更斯的私生子和Ellen Ternan之谜”,第319-32页;伊恩·克劳福德,《纸时代的狄更斯与民主:代表人民》,卡罗琳·韦伦加·伯曼著,第334-37页;海伦娜·凯利,《从伦敦下来:铁路时代的海边阅读》书评,卡罗琳·w·德·拉·l·奥尔顿著,第337-39页;弗朗西斯卡·奥雷斯塔诺,《甜蜜的景色:一首英国田园诗的形成》书评,马尔科姆·安德鲁斯著,第339-42页;波兹·赫灵顿:《狄更斯时代的英国:1812-1870》,杰里米·布莱克著,第343-44页;西德尼·雷恩,《狄更斯与斯台普赫斯特:铁路事故传记》,杰拉尔德·狄更斯著,第345-47页;露西·怀特黑德,对米里亚姆·马戈耶斯所著《这是真的》的评论,第347-49页;玛丽亚·朱科,《亲爱的狄更斯先生》的书评,南希·丘宁和贝瑟尼·斯坦克利夫著,第349-51页;Philipp Röttgers,对《圣诞颂歌》(音乐专辑)的评论,作者:majestic,第352-53页;保罗·格雷厄姆,《弗雷德里克·基顿与圣奥尔本斯:从匹克威克到保存》(展览),第354-55页;“团契笔记和新闻……
The Dickens Checklist Dominic Rainsford The Dickens Checklist, recording new publications, doctoral dissertations, and online ressources of significance for Dickens studies, appears in each issue of the journal. A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at dickenssociety.org, and is updated once a year. _______ Secondary Sources: Biography and Criticism Celeste, Mark. “Visualizing Mutuality: Teaching / Networks in Our Mutual Friend.” Victorians Institute Journal, vol. 49, 2022, pp. 166–97. Chelebourg, Christian. “Scrooge en famille: lecture socialisée d’un rite fictionnel.” Noël entre magie blanche et magie noire, edited by Christian Chelebourg, Lettres Modernes Minard, 2022, pp. 121–37. Revue des lettres modernes: Écritures jeunesse: 4. [CC ] Dick, Archie. Reading Spaces in South Africa, 1850–1920s. Cambridge UP, 2020. Elements in Publishing and Book Culture. [Ch. 3: “Dickens on the Page, the Podium, and the Stage”] Dickens Quarterly, vol. 40, no. 1, Mar. 2023. [Dominic Rainsford, “From the Editor,” pp. 5–7; Benjamin O’Dell, “David Copperfield, Émile, and the Legacy of Enlightenment Education Literature,” pp. 8–27; James Armstrong, “‘In a Dark Wig’: Reinventing Byron as Steerforth in David Copperfield,” pp. 28–44; Kathryne Ford, “Dickensian Divisions: David Copperfield’s ‘Hero[ine] of my own life,’” pp. 45–63; Lanya Lamouria, “Charles Dickens, Charles Babbage, Richard Babley: Material Memory in David Copperfield,” pp. 64–82; Jeremy Parrott, “Electrical Undercurrents in David Copperfield,” pp. 83–107; Robert Sirabian, review of The Lawyer in Dickens, by Franziska Quabeck, pp. 108–12; Michelle Allen-Emerson, review of Bite the Hand that Reads: Dickens, Animals, and Sanitary Reform, by Terry Scarborough, pp. 112–16; Tamara S. Wagner, review of The Tramp in British Literature, 1850–1950, by Luke Lewin Davies, and Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture, by Alistair Robinson, pp. 116–21; Dominic Rainsford, “The Dickens Checklist,” pp. 127–30] Dickens Studies Annual, vol. 54, no. 1, 2023. [Introduction, pp. v–vii; James Armstrong, “Rejecting ‘Nature’ in Martin Chuzzlewit: Racism, Slavery, and Death in Eden,” pp. 1–13; Jane E. Kim, “Watching the Detectives: The Reciprocal Gaze in Our Mutual Friend,” pp. 14–34; Laura White, “Insects, Age, and Failure: The Suppressed Chapter of ‘The Wasp in a Wig,’” pp. 35–50; James Hamby, “‘Let us veil our meaning’: Holiday Romance and the Second Reform Act of 1867,” pp. 51–73; Melissa Jenkins, “Whither, Hardy?: Selected Hardy Studies 2010–2022,” pp. 74–83; Richard A. Kaye, “Twenty-First-Century Oscar Wilde: A Review Essay,” pp. 84–119.] The Dickensian, vol. 118, part 3, no. 516, Winter 2022. [Catherine Waters, “From the New President,” pp. 253–56; William F. Long, “Dickens, Ainsworth and Turpin’s Gyves,” pp. 258–68; Renata Goroshkova, “A Tale of Two Magazines: Dickens on the Pages of Contemporary and Fatherland Notes,” pp. 269–80; Abderrezzaq Ghafsi, “Emir Abdelkader in Charles Dickens’s Journals,” pp. 281–90; Robert C. Hanna, “Joseph M. Field, International Copyright, and a Masque for Boz,” pp. 291–308; Don Richard Cox, “The Charles Collins Letter: Some Additional Mysteries,” pp. 309–18; Brian Ruck, “Illegitimacy in Dickens, and the Riddle of Ellen Ternan,” pp. 319–32; Iain Crawford, review of Dickens and Democracy in the Age of Paper: Representing the People, by Carolyn Vellenga Berman, pp. 334–37; Helena Kelly, review of Down from London: Seaside Reading in the Railway Age, by Carolyn W. de la L. Oulton, pp. 337–39; Francesca Orestano, review of A Sweet View: The Making of an English Idyll, by Malcolm Andrews, pp. 339–42; Boze Herrington, review of England in the Age of Dickens: 1812–1870, by Jeremy Black, pp. 343–44; Sydney Wren, review of Dickens and Staplehurst: A Biography of a Rail Crash, by Gerald Dickens, pp. 345–47; Lucy Whitehead, review of This Much Is True, by Miriam Margolyes, pp. 347–49; Maria Juko, review of Dear Mr. Dickens, by Nancy Churnin and Bethany Stancliffe, pp. 349–51; Philipp Röttgers, review of A Christmas Carol (music album), by Majestica, pp. 352–53; Paul Graham, review of Frederic Kitton and St Albans: From Pickwick to Preservation (exhibition), pp. 354–55; “Fellowship Notes and News...