英汉委婉语比较研究——以《绝望的主妇》和《欢乐颂》为例

Feng Dou
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摘要

委婉语作为人际关系的润滑剂,不仅是一种语言现象,而且是一种社会文化现象。同时,媒介语言也是传播文化信息和思想的重要而必要的工具。影视作品作为文化载体,反映了一个国家或地区人们的生活方式、社会习俗、价值观等特征。本文以《绝望主妇》和《欢乐颂》为例,分析了英汉两种语言中的委婉语。从委婉语的角度来看,这两部剧是可以比较的。为了考察不同文化价值取向所表现出的差异,委婉语运用了不同的文化价值取向。目的是为了说明中西方国家的民族特色和文化内涵,更好地理解中西方电视剧的语言风格。通过学习支撑语言的各种文化价值观,为跨文化交流奠定基础。
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A Comparative Study of English and Chinese Euphemisms—Taking Desperate Housewives and Ode to Joy as Examples
As the lubricant of interpersonal relationships, euphemisms are not only a linguistic phenomenon, but also a social and cultural phenomenon. At the same time, media language is also used as an important and necessary tool for communicating cultural information and ideas. Film and television productions, as cultural carriers, represent people’s lifestyles, social conventions, values, and other features in a country or region. In this article, we examine “Desperate Housewives” and “Ode to Joy” as examples of euphemisms in Chinese and English. The two dramas are comparable from the standpoint of euphemism. To investigate variations indicated by diverse cultural value orientations, euphemism uses them. The goal is to illustrate the national features and cultural implications of Chinese and Western countries, as well as to better comprehend the language styles of Chinese and Western TV dramas. Lay the groundwork for cross-cultural communication by learning about the various cultural values that underpin the language.
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