{"title":"浪漫的社交、聋人喜剧和约翰·普尔的《聋人邮局》(1823年)","authors":"Essaka Joshua","doi":"10.1353/srm.2023.a909932","DOIUrl":null,"url":null,"abstract":"Abstract: Critical discussions of Romantic conversational practices have focused on concepts of sentiment, freedom, and the flow or ease of exchange of spoken words, and their literary representation. It has not always been apparent, however, that 'frictionless' conversation requires of the participants certain physical and sensory competencies or abilities. Disabilities that affect communication reveal much about politeness, social control, accessibility, and equity. This article offers a reading of John Poole's one act farce, Deaf as a Post (1823), as a comic play about conversational friction.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Romantic Sociability, Deaf Comedy, and John Poole's Deaf as a Post (1823)\",\"authors\":\"Essaka Joshua\",\"doi\":\"10.1353/srm.2023.a909932\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: Critical discussions of Romantic conversational practices have focused on concepts of sentiment, freedom, and the flow or ease of exchange of spoken words, and their literary representation. It has not always been apparent, however, that 'frictionless' conversation requires of the participants certain physical and sensory competencies or abilities. Disabilities that affect communication reveal much about politeness, social control, accessibility, and equity. This article offers a reading of John Poole's one act farce, Deaf as a Post (1823), as a comic play about conversational friction.\",\"PeriodicalId\":44848,\"journal\":{\"name\":\"STUDIES IN ROMANTICISM\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN ROMANTICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/srm.2023.a909932\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN ROMANTICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/srm.2023.a909932","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Romantic Sociability, Deaf Comedy, and John Poole's Deaf as a Post (1823)
Abstract: Critical discussions of Romantic conversational practices have focused on concepts of sentiment, freedom, and the flow or ease of exchange of spoken words, and their literary representation. It has not always been apparent, however, that 'frictionless' conversation requires of the participants certain physical and sensory competencies or abilities. Disabilities that affect communication reveal much about politeness, social control, accessibility, and equity. This article offers a reading of John Poole's one act farce, Deaf as a Post (1823), as a comic play about conversational friction.
期刊介绍：
Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.
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