{"title":"非物质的过度阐述:帕特·罗科的宣传游记中的性别、选角和伪装劳动","authors":"Finley Freibert","doi":"10.1215/02705346-10654913","DOIUrl":null,"url":null,"abstract":"Pat Rocco's ONE Adventure, a promotional film for a gay men's nonprofit's tourism subsidiary, documented early 1970s US-Europe homophile coalitions but also incorporated softcore sequences for commercial appeal to a gay male market. Yet Rocco's disavowal of pornography generally — and specifically in the case of ONE Adventure — elides the precarious labor that undergirded his films’ productions. This article proposes that gay media history needs to critically confront nonmaterial overelaboration — the covering over of the material conditions of media production — in media products, their paratexts, and historiography itself. It is necessary for gay media history to take up feminist production history methods to interrogate this elision of labor enacted by cultural history approaches to Pat Rocco's filmmaking. More broadly, the article's concept of nonmaterial overelaboration provides a critical avenue for focalizing labor in other areas of media history.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Nonmaterial Overelaboration: Gender, Casting, and Camouflaged Labor in Pat Rocco's Promotional Travelogue\",\"authors\":\"Finley Freibert\",\"doi\":\"10.1215/02705346-10654913\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Pat Rocco's ONE Adventure, a promotional film for a gay men's nonprofit's tourism subsidiary, documented early 1970s US-Europe homophile coalitions but also incorporated softcore sequences for commercial appeal to a gay male market. Yet Rocco's disavowal of pornography generally — and specifically in the case of ONE Adventure — elides the precarious labor that undergirded his films’ productions. This article proposes that gay media history needs to critically confront nonmaterial overelaboration — the covering over of the material conditions of media production — in media products, their paratexts, and historiography itself. It is necessary for gay media history to take up feminist production history methods to interrogate this elision of labor enacted by cultural history approaches to Pat Rocco's filmmaking. More broadly, the article's concept of nonmaterial overelaboration provides a critical avenue for focalizing labor in other areas of media history.\",\"PeriodicalId\":44647,\"journal\":{\"name\":\"CAMERA OBSCURA\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMERA OBSCURA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/02705346-10654913\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-10654913","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Nonmaterial Overelaboration: Gender, Casting, and Camouflaged Labor in Pat Rocco's Promotional Travelogue
Pat Rocco's ONE Adventure, a promotional film for a gay men's nonprofit's tourism subsidiary, documented early 1970s US-Europe homophile coalitions but also incorporated softcore sequences for commercial appeal to a gay male market. Yet Rocco's disavowal of pornography generally — and specifically in the case of ONE Adventure — elides the precarious labor that undergirded his films’ productions. This article proposes that gay media history needs to critically confront nonmaterial overelaboration — the covering over of the material conditions of media production — in media products, their paratexts, and historiography itself. It is necessary for gay media history to take up feminist production history methods to interrogate this elision of labor enacted by cultural history approaches to Pat Rocco's filmmaking. More broadly, the article's concept of nonmaterial overelaboration provides a critical avenue for focalizing labor in other areas of media history.
期刊介绍:
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.